The wet eyelids had lifted and the drowned eyes had come to life again in a brief glance of horror. Mamma had expected her to kneel down and pray. In bed they had turned their backs on each other, and she had the feeling that her mother shrank from her as from somebody unclean who had omitted to wash herself with prayer. She wanted to take her mother in her arms and hold her tight. But she couldn't. She couldn't. Suddenly her throat began to jerk with a hysterical spasm. She thought: "I wish I had died instead of Papa." She forced back the jerk of her hysteria and lay still, listening to her mother's sad, obstructed breathing and her soft, secret blowing of her nose. Presently these sounds became a meaningless rhythm and ceased. She was a child, dreaming. She stood on the nursery staircase at Five Elms; the coffin came round the turn and crushed her against the banisters; only this time she was not afraid of it; she made herself wake because of something that would happen next. The flagstones of the passage were hard and cold to her naked feet; that was how you could tell you were awake. The door of the Morfe drawing-room opened into Mamma's old bedroom at Five Elms, and when she came to the foot of the bed she saw her father standing there. He looked at her with a mocking, ironic animosity, so that she knew he was alive. She thought: "It's all right. I only dreamed he was dead. I shall tell Mamma." When she really woke, two entities, two different and discordant memories, came together with a shock. Her mother was up and dressed. She leaned over her, tucking the blankets round her shoulders and saying, "Lie still and go to sleep again, there's a good girl." Her memory cleared and settled, filtering, as the light filtered through the drawn blinds. Mamma and she had slept together because Papa was dead. IX. "Mary, do you know why you're crying?" Roddy's face was fixed in a look of anger and resentment, and of anxiety as if he were afraid that at any minute he would be asked to do something that he couldn't do. They had come down together from the locked room, and gone into the drawing-room where the yellow blinds let in the same repulsive, greyish, ochreish light. Her tears did not fall. They covered her eyes each with a shaking lens; the chairs and tables floated up to her as if she stood in an aquarium of thick, greyish, ochreish light. "You think it's because you care," he said. "But it's because you don't care.... You're not as bad as I am. I don't care a bit." "Yes, you do, or you wouldn't think you didn't." "No. None of us really cares. Except Mamma. And even she doesn't as much as she thinks she does. If we cared we'd be glad to sit in there, doing nothing, thinking about him.... That's why we keep on going upstairs to look at him, to make ourselves feel as if we cared."