Bildungsromans; Domestic fiction; Mothers and daughters -- Fiction
She was aware of something underneath it, something that was growing more
and more beautiful every minute. She was trying to smash this thing lest
it should grow more beautiful than she could bear.
"You see how I score by being shut up in Morfe. When I do get out it's no
end of an adventure." (Was there ever such an idiot?)
Suddenly she left off trying to smash the silence.
The silence made everything stand out with a supernatural clearness, the
square, white-clothed table in the bay of the window, the Queen Anne
fluting on the Britannia metal teapot, the cups and saucers and plates,
white with a gentian blue band, The King's Head stamped in gold like a
crest.
Sitting there so still he had the queer effect of creating for both of
you a space of your own, more real than the space you had just stepped
out of. There, there and not anywhere else, these supernaturally clear
things had reality, a unique but impermanent reality. It would last as
long as you sat there and would go when you went. You knew that whatever
else you might forget you would remember this.
The rest of the room, the other tables and the people sitting at them
were not quite real. They stood in another space, a different and
inferior kind of space.
"I came first of all," he said, "to bring you _that_."
He took out of his pocket and put down between them the thin, new white
parchment book of her _Poems_.
"Oh ... Poor thing, I wonder what'll happen to it?" Funny--it was the
least real thing. If it existed at all it existed somewhere else, not in
this space, not in this time. If you took it up and looked at it the
clearness, the unique, impermanent reality would be gone, and you would
never get it again.
* * * * *
They had finished the run down Reyburn hill. Their pace was slackening on
the level.
He said, "That's a jolly bicycle of yours."
"Isn't it? I'm sure you'll like to know I bought it with the wonderful
cheque you gave me. I should never have had it without that."
"I'm glad you got something out of that awful time."
"Awful? It was one of the nicest times I've ever had.... Nearly all my
nice times have been in that house."
"I know," he said. "My uncle would let you do anything you liked if you
were young enough. He ought to have had children of his own. They'd have
kept him out of mischief."
"I can't think," she said to the surrounding hills, "why people get into
mischief, or why they go and kill themselves. When they can ride bicycles
instead."
III.
Mamma was sitting upright and averted, with an air of self-conscious
effacement, holding the thin white book before her like a fan.
Every now and then you could see her face swinging round from behind the
cover and her eyes looking at Richard Nicholson, above the rims of her
glasses. Uneasy, frightened eyes.
IV.
The big pink roses of the chintzes and the gold bordered bowls of the
black mirrors looked at you rememberingly.
Public-domain text, read in full here on John Shaqi.
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