Bildungsromans; Domestic fiction; Mothers and daughters -- Fiction
"Don't 'work like blazes.' Still I'm glad you like it. I can get you any
amount of the same thing--more than you'll care to do."
VII.
He didn't know how hard it was to "work like blazes." You had to keep
your eyes ready all the time to see what Mamma was doing. You had to take
her up and down stairs, holding her lest she should turn dizzy and fall.
If you left her a minute she would get out of the room, out of the house
and on to the Green by herself and be frightened.
Mamma couldn't remember the garden. She looked at her flowers with
dislike.
You had brought her on a visit to a strange, disagreeable place and left
her there. She was angry with you because she couldn't get away.
Then, suddenly, for whole hours she would be good: a child playing its
delicious game of goodness. When Dr. Charles came in and you took him out
of the room to talk about her you would tell her to sit still until you
came back. And she would smile, the sweet, serious smile of a child that
is being trusted, and sit down on the parrot chair; and when you came
back you would find her sitting there, still smiling to herself because
she was so good.
Why do I love her now, when she is like this--when "_this_" is what I was
afraid of, what I thought I could not bear--why do I love her more, if
anything, now than I've ever done before? Why am I happier now than I've
ever been before, except in the times when I was writing and the times
when I was with Richard?
VIII.
Forty-five. Yesterday she was forty-five, and to-day. To-morrow she would
be forty-six. She had come through the dreadful, dangerous year without
thinking of it, and nothing had happened. Nothing at all. She couldn't
imagine why she had ever been afraid of it; she could hardly remember
what being afraid of it had felt like.
Aunt Charlotte--Uncle Victor--
If I were going to be mad I should have gone mad long ago: when Roddy
came back; when Mark died; when I sent Richard away. I should be mad now.
It was getting worse.
In the cramped room where the big bed stuck out from the wall to within a
yard of the window, Mamma went about, small and weak, in her wadded
lavender Japanese dressing-gown, like a child that can't sit still,
looking for something it wants that nobody can find. You couldn't think
because of the soft pad-pad of the dreaming, sleepwalking feet in the
lamb's-wool slippers.
When you weren't looking she would slip out of the room on to the landing
to the head of the stairs, and stand there, vexed and bewildered when you
caught her.
IX.
Mamma was not well enough now to get up and be dressed. They had moved
her into Papa's room. It was bright all morning with the sun. She was
happy there. She remembered the yellow furniture. She was back in the old
bedroom at Five Elms.
Mamma lay in the big bed, waiting for you to brush her hair. She was
playing with her white flannel dressing jacket, spread out before her on
the counterpane, ready. She talked to herself.
Public-domain text, read in full here on John Shaqi.
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