Adventure stories; Crime -- Fiction; Detective and mystery stories; Man-woman relationships -- Fiction; New York (N.Y.) -- Fiction
His soft hands gripped the arms of his chair. Fury flamed within
him; words of menace surged to his lips. But Peter Loveman never had
more self-possession than when his situation was most dangerous--and
dangerous he certainly now felt it to be. So as he rose he smiled with
good-natured regret.
“I’m sorry it’s all off, Mary; it would have been big for us both. But
you have the right to do as you choose. Well, good luck to you--and
good-night.”
With a look of almost fatherly benignity, Loveman went out. Mary
suspected that regretful, genial smile--but she thought of it only
for a moment, for the next instant her mind was on other things. She
switched out her lights, and stepping to a window she looked out into
the deep silence of the night.
What should she do? At last she was alone face to face with her life’s
greatest crisis. She had played for big game--for wealth and worldly
position--and she had played daringly--and now, at the end, after all
her time and bold dreams and care and cleverness, it seemed that she
had lost, and lost finally, unalterably. And after all, even had she
won, would the winning have been worth the while?...
And then there was a resurgence of that self-confidence, that
determination, which were such strong elements of her nature. Should
she not make one last desperate effort to carry through her plan,
despite them all? Her resentment toward Jack’s cold, worldly father
suddenly flamed high. Just to balk the older Morton she would like to
save Jack and win out herself.
But how might it be done?... Almost unconsciously her mind began to
revert with nervous intensity to certain methods of that period spent
under the influence of her father and later of her uncle Joe--that
period of artful criminality that she had long thought of as forever
ended. By use of her old skill she might so outwit Jack’s father, might
so involve him, that he would gladly come to terms.
She stood there in the silent dark, thinking feverishly.
CHAPTER XXIV
TWO PLEASANT GENTLEMEN
When Clifford saw Loveman leave the apartment house and cross rapidly
to his cab, he waited to see no more. His next move, as he had planned
it, was based upon conjecture, and it had to be executed without a
lost moment. He ran back to his waiting taxi-cab, gave the chauffeur
Loveman’s address, and thrust a ten-dollar bill into the man’s hands.
“Keep the change, and forget the speed laws,” Clifford exclaimed as he
sprang in.
Five minutes later the rocking machine turned into Loveman’s street.
Save for his own car, the street was empty. Not waiting for the machine
to slow down, Clifford called “Beat it!” to the chauffeur, leaped to
the curb and walked rapidly into Loveman’s apartment house. At the
end of the corridor a negro youth lay loosely a-sprawl and snoring
on the telephone switchboard, and the elevator door stood open. The
sight reassured Clifford on one point: he had beaten Loveman to his
home--that is, if Loveman’s purpose had been to come home.
Public-domain text, read in full here on John Shaqi.
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