Adventure stories; Crime -- Fiction; Detective and mystery stories; Man-woman relationships -- Fiction; New York (N.Y.) -- Fiction
A little way down this street, before a black-windowed house, Clifford
noted two empty, shadowy automobiles; he saw that they were alike at
least in this, that both were low and long, built evidently for speed
and the ability to maintain it.
Having reached this darkened and seemingly empty house, Loveman turned
and ran quickly up the high, old-fashioned stoop. The next instant he
had let himself in with a latch-key.
“I suppose you know what that place is?” whispered Uncle George,
gripping Clifford’s forearm sharply.
“Yes,” breathed Clifford--“the house of Joe Le Bain!”
CHAPTER XXVIII
THE HOUSE OF MONSIEUR LE BAIN
Monsieur Le Bain, from catering to the reckless rich and to
spendthrifts who had large sums that abode with them for a flitting
month or so, and to monied persons about whose characters and designs
he preferred to remain safely ignorant--Monsieur Le Bain had discovered
that such as these, on occasion, desired a greater privacy than his
Grand Alcazar or his Le Minuit or any other restaurant afforded
them--a sumptuous exclusiveness in which, without danger of being
seen by uninvited eyes or their merry-making marred or restrained by
the propinquity of strangers, a party might dine or sup _en famille_.
Quick to see and seize opportunities, Le Bain had devised the material
equipment to please such patronage. In addition to the Grand Alcazar
and Le Minuit, which he advertised and to which he welcomed all, he had
set up another establishment which he did not advertise, and of which
few even knew, and to which even fewer ever gained admission.
This was an old brownstone house in the upper Forties between Fifth and
Sixth Avenues, outwardly most discreet and decorous--and, moreover,
inwardly so most of the time. The house was furnished as a private
residence, and richly furnished, too, albeit somewhat garishly since
Le Bain’s latter-day æsthetics had been founded upon the gilt and
rococo of Broadway restaurants. There was a large drawing-room whose
windows were so deftly curtained that no inner light ever filtered into
the street; behind that a large dining-room, in which one might be as
merry as one liked without passers-by being halted by laugh or song--or
by any possible sound of a less happy character that might originate
therein. And in the basement there was a perfect kitchen, which, on
those occasions when the house was briefly inhabited, Le Bain peopled
with his most efficient and reticent retainers--it being understood
that after the dinner or supper had been served, and if the host so
directed, these cooks and waiters and ladies’ maids should vanish.
And that the party might not suffer from such withdrawal, there was
installed in the butler’s pantry an ingenious refrigerator in which
foods were kept cold and wines properly iced--and from which host and
guests might serve themselves.
Public-domain text, read in full here on John Shaqi.
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