Adventure stories; Crime -- Fiction; Detective and mystery stories; Man-woman relationships -- Fiction; New York (N.Y.) -- Fiction
For a minute Clifford thought he had solved the mystery--that he had
his case complete, all except arranging for his arrests. Then Loveman
entered the telephone booth beneath the stairway. That was a new
element. What could Loveman be about? Clifford leaned out and strove
to listen, but not one word of Loveman’s filtered through the closet’s
sound-proof door.
Loveman left the booth and rejoined the company. Clifford had noted a
slit of light at one side of the darkened drawing-room, and toward this
he now noiselessly made his way. The slit proved to be a parting in
the heavy curtains between the drawing-and dining-rooms. Motionlessly
Clifford watched the group of six--and all the while he wondered what
Loveman’s telephoning could be about. There was drinking, and banter,
and reassertions of Jack’s determination to prove himself a free
spirit, and two stumbling attempts by Jack to dance with Nina to the
music of his own singing--and thus half an hour passed.
Presently there was a ring. At a word from Loveman, the evilly handsome
young man--“Slim” Harrison, Clifford knew him to be, a crack driver of
racing-cars, and a proficient in all the evils of Broadway--rose and
left the drawing-room and passed forward through the hallway. Clifford
heard him open the front door, and remark courteously: “Come right
in--Mr. Clifford is waiting for you.”
Footsteps--two pairs of them--returned down the hallway, and then
Clifford saw Slim Harrison swing apart the other pair of tapestries,
saying, “They’re waiting for you in here.” And then stepping into the
brilliant light of the great dining-room he saw Mary Regan.
Two paces within the doorway she suddenly halted. “Where’s Mr. Clifford
and Lieutenant Kelly?” she exclaimed. Clifford saw her stiffen and
sharply eye the group at the table. Then her gaze fixed upon Jack, and
she said quietly enough: “Jack--I’ve come to take you home.”
Jack swayed uncertainly to his feet, his face sagging with amazement.
“Why--why--Mary--”
But Clifford heard nothing of the next few sentences. That instant he
understood it all--or thought he did. He knew now the substance of
Loveman’s telephone message. He saw now the magnitude of this present
situation just before him. Loveman’s great scheme--the whole of it--had
been planned and drawn together, and timed to take place within that
hour. Clifford did not yet prevision the exact character of the further
developments--but what better place for it than Le Bain’s house, from
which no sound issued, which kept secret all it saw and heard?
Swiftly, silently, Clifford slipped out into the hallway, into
the telephone closet, and closed the sound-proof door. He got the
Knickerbocker Hotel on the wire, and a few minutes later he was
snapping out sentences to Uncle George.
Public-domain text, read in full here on John Shaqi.
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