Adventure stories; Crime -- Fiction; Detective and mystery stories; Man-woman relationships -- Fiction; New York (N.Y.) -- Fiction
“Understand now why she wanted to keep your marriage secret?” Loveman
cut in. “Plain enough: she knew that if it were generally known that
you had married her, you would quickly learn the truth about her and
that would finish her game. And that self-sacrifice business in letting
your father believe that she was your mistress, all in order to protect
you--can’t you see that she was really doing it to _protect herself_,
and protect her own little scheme for playing you along as a sucker?
Want to go along with her now, do you, so she can soak you some more?”
Jack, steadying himself with hands on the table, was staring across at
Mary. “’S tha’ so?” he demanded thickly.
“Part of it. But, Jack, listen--”
“I’ll not listen! Tha’s enough!” he burst out. He had irked at the
restraints she had put upon him; and since for him she represented
the routine life, he had unconsciously begun to weary of her. And all
the while he had been sneakingly ashamed that he had accepted this
supposed sacrifice from her. “I’ll not go home!” he shouted across at
her. “Un’erstand? I’ll never go home! Un’erstand? I’m through with you!
Un’erstand? You crook, you--you li’l’, dam’, sneakin’ crook!”
Mary stared at the inflamed, wine-flushed face thrust toward her. Then
she drew a deep breath--a breath tense and quivering. Then a heavy
voice sounded behind her.
“Guess you’ve got the right dope at last, Morton, on this Regan dame.”
As Mary turned quickly, Clifford’s eyes went to the other curtained
doorway. Just inside it stood the broad, powerful figure of Bradley. So
engrossed had Clifford been in the scene between Jack and Mary that he
had not heard Bradley’s entrance--which had doubtless been effected by
one of Le Bain’s many duplicate keys.
Clifford gasped within himself. The affair was even bigger than he had
thought a few minutes gone. And in a flash he guessed the explanation
of Bradley’s prompt appearance upon the scene: that while in the
telephone closet Loveman had sent _two_ messages--that after getting
Mary’s promise to come, he had notified Bradley.
Mary looked back at Loveman, ignoring Jack. Clifford could see that her
face was very pale; but she was straight and her gaze was unafraid.
“It’s no use trying to make Jack see the truth, Peter Loveman,” she
said in a slow, determined voice. “There’s no denying that you’ve
beaten me. You have removed all my motives for keeping silent about
you. I know enough about you and can produce enough evidence to secure
your conviction on half a dozen counts--and, believe me, Peter Loveman,
I’m going to give all that evidence to Mr. Clifford.”
She turned to Bradley, and her steady voice went on. “You were a crook
when you were in the Police Department--and you’ve been a crook,
playing every sort of crooked, double-crossing game, since you became a
private detective--and I have the evidence on you, too, that will send
you away--and believe me, Mr. Bradley, I’m going to use it!”
Public-domain text, read in full here on John Shaqi.
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