Mary Seaham: A Novel. Volume 2 of 3Grey, Mrs. (Elizabeth Caroline)
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Mary Seaham: A Novel. Volume 2 of 3
Grey, Mrs. (Elizabeth Caroline)
Great Britain -- Social life and customs -- 19th century -- Fiction; Mate selection -- Fiction; Young women -- Fiction
Yet at the same time it may be truly said no dark thoughts, no covetous
desire which might have sprung too naturally from this train of ideas in
any other breast, was hereby suggested. No, he felt too great a calm, a
peace and contentment, in the present aspect of his life, as contrasted
with the struggles and trials which had been its early portion, not to
have contemplated such a _bouleversement_ as that to which we allude
with any feeling save that of horror and distaste. No--he had seen and
proved enough of the hateful sin of covetousness, for any such feeling
to have gained admittance in his breast; nay, not indeed to have fled
from its very idea, as from a serpent.
"They that will be rich fall into a temptation and a snare, and into
many foolish and hurtful lusts, which draw men into destruction and
perdition. For the love of money is the root of evil, which, when some
coveted after, they have erred from the faith and pierced themselves
through with many sorrows. But thou, man of God, flee from these things
and follow after righteousness, godliness, faith, love, patience,
meekness."
Thus, in a frame and state of mind which it would have been far from
the thoughts of man to conceive as the presager of misery, dark and
horrible, Eustace Trevor approached his father's house.
It was night, and the mansion seemed wrapped in more than its customary
gloom and darkness. Every window was closed and shuttered--all save one,
and from that the only ray of light visible on its whole extent
glittered through the open casement.
It was enough--the light came from his mother's chamber. The star of his
home shone forth, as it had ever done, to cheer and welcome his
approach. He did not seek admittance at the front door. That had never
been the privilege of himself or brothers during their boyhood, or their
custom by choice in later years.
There was a more private entrance, through which, after having left
their horse or other vehicle at the stables, the young Trevors could
enter or issue at their pleasure--safe from the _espionage_ or uncertain
welcome of their father. To this Eustace had now recourse. He tried it,
and finding the doors beyond his expectations unsecured, passed through,
making his way by a back staircase to his mother's apartments, without
encountering a domestic or any person on his route.
The house was still and silent as the grave. He entered the boudoir.
There was no lamp or candle burning there, but the clear light reflected
from the adjoining chamber, of which the door was ajar, seemed to
indicate that his mother had retired for the night.
Public-domain text, read in full here on John Shaqi.
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