Mary Seaham: A Novel. Volume 3 of 3Grey, Mrs. (Elizabeth Caroline)
General
Mary Seaham: A Novel. Volume 3 of 3
Grey, Mrs. (Elizabeth Caroline)
Great Britain -- Social life and customs -- 19th century -- Fiction; Mate selection -- Fiction; Young women -- Fiction
She had a little piano-forte in her dressing-room, removed there to
while away the hours of her confinement to its precincts; and she
contrived, without disturbing her companions, to wheel her light sofa in
the right direction. She then arranged herself in a moment before the
instrument, and saying, playfully, "Mary, my dear, you shall have some
of your favourite songs to cheer you up a little," she struck the
chords, and without waiting for further encouragement or reply, began to
sing--perhaps by accident, but more probably by design--her choice
falling upon those plaintive songs and ballads with which she delighted
Mary that first evening, more than four years ago, of her last visit to
Silverton. That night on which her fair hostess was always pleased to
consider the magic of her own sweet singing had in no slight degree
contributed to weave the fatal spell, whose broken charm it was now so
much her object to renew. What better could she do for Eugene's
interest, than try this method of enchantment once again?
And could Mary listen, and her susceptible soul not be touched by the
memories and associations which must be naturally awakened? Could she
sit by Eugene's side, and not be carried back in softened fancy to the
time--that time to use the impassioned language of the poet--
"When full of blissful sighs
They sat and gazed into each other's eyes,
Silent and happy, as if God had given
Nought else worth looking on this side of heaven."
Alas! for the spell so irremediably broken, that not even this sweet and
subtlest of all human influences can restore.
Mary's soul was stirred indeed within her, but it was with very
different emotions than those which were intended to be produced; above
all was her heart swelling within her, with wounded, more than indignant
feelings, against the pretended friend who had thus made her the
unsuspected victim of an unworthy plot.
Therefore the soft music rather seemed to irritate, than to soothe her
jarred and shaken nerves--the words of thrilling pathos, which the
strain for the most part conveyed, to sound in mocking accents on her
ear.
"The sunshine of my life is in those eyes,
And when thou leav'st me, all is dark within."
What to her could such words be, but mockery; when now, alone "the image
of a wicked, heinous fault lived in the eye," which once, indeed, had
seemed too powerfully to absorb the whole sunshine of her life.
Public-domain text, read in full here on John Shaqi.
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