"Don't grow up a nervous old maid! Gird yourself for the battle outside
somewhere, and keep your heart young. Give up your whole being to
create music everywhere, in the light places and in the dark places,
and your life will make melody. I'm a witness to the perfect joy and
satisfaction of a single life--with a tail of human tag-rag hanging on.
It is rare! It is as exhilarating as an aeroplane or a dirigible or
whatever they are that are always trying to get up and are always
coming down!... Mine has been such a joyous service," she wrote again.
"God has been good to me, letting me serve Him in this humble way. I
cannot thank Him enough for the honour He conferred upon me when He
sent me to the Dark Continent."
Over and over again she put this idea of foreign service before her
friends at home. Some were afraid of a rush of cranks who would not
obey rules and so forth. She laughed the idea to scorn. "I wish I could
believe in a crush--but there are sensible men and women enough in the
Church who would be as law-abiding here as at home."
XVII. LOVE-LETTEBS
During the course of her career Miss Slessor wrote numberless letters,
many of them productions of six, ten, twelve, and fourteen pages,
closely penned in spidery writing, which she called her "hieroglyphic
style." She had the gift, which more women than men possess, of
expressing her ideas on paper in as affluent and graceful a way as in
conversation. Her letters indeed were long monologues, the spontaneous
outpouring of an active and clever mind. She sat down and talked
vivaciously of everything about her, not of public affairs, because she
knew people at home would not understand about these, but of her
children, the natives, her journeys, her ailments, the services, the
palavers, all as simply and naturally and as fully as if she were
addressing an interested listener. But it was essential that her
correspondent should be in sympathy with her. She could never write a
formal letter; she could not even compose a business letter in the
ordinary way. Neither could she write to order, nor give an official
report of her work. The prospect of appearing in print paralysed her.
It was always the heart and not the mind of her correspondent that she
addressed. What appeared from time to time in the _Record_ and in the
_Women's Missionary Magazine_, were mainly extracts from private
letters, and they derived all their charm and colour from the fact that
they were meant for friends who loved and understood her. In the same
way she would be chilled by receiving a coldly expressed letter. "I
wish you hadn't said _Dear Madam_," she told a lady at home. "I'm just
an insignificant, wee, auld wifey that you would never address in that
way if you knew me. I'll put the _Madam_ aside, and drag up my chair
close to you and the girls you write for, and we'll have a chat by the
fireside."
Public-domain text, read in full here on John Shaqi.
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