Mary Ware in TexasJohnston, Annie F. (Annie Fellows)
General
Mary Ware in Texas
Johnston, Annie F. (Annie Fellows)
Texas -- Juvenile fiction; Young women -- Juvenile fiction
All this did not come to Mary in words. She could not have expressed it
to any one else, but it sent her on her way, deeply, quietly glad.
Next morning while she was stooping before the oven, basting the turkey
which the Barnabys had sent with their greetings, Jack called her to the
front window where he was sitting.
A covered wagon was creaking slowly by, drawn by a big horse and a
little burro. The cover was looped up, and in the back end, carefully
tied to the tail-gate, stood the tree which had taken them fifty-eight
minutes to prepare, but whose memory would not be effaced in that many
years from the minds of the two children, seated on the quilts beside
it.
"I'm so glad you got to see them," said Mary. "Aren't they dear? And oh,
look! Goldilocks is still holding Lady Agatha, and the other one's
hugging the woolly lamb!"
When the wagon was entirely out of sight Mary started back to her turkey
basting, but stopped a moment to take another look at the gifts spread
out on the side table. Several things had been added to them that
morning; a dissected puzzle picture which Norman had made for her, a
spool case that Jack had whittled out, and a strip of exquisitely
embroidered rosebuds that Mrs. Ware had wrought to be put into a white
dress. There was also a pot of white hyacinths from the rectory, and
Mary held her face down against the cool snow of their blossoms, taking
in their sweetness in long breaths.
"It's been a pretty full Christmas, hasn't it!" exclaimed Jack as he
watched her.
"It's really been one of the nicest I ever had," she answered, "for one
reason because it's lasted so long. Norman's plan is a success."
That night after supper Norman insisted on taking his mother down into
the village to look at the lighted windows. After they had gone Mary
took out her Good Times book to record the happenings of the day. She
had a few more notes of acknowledgment to write also, and was glad that
Jack was busy with his own writing. She noticed that he was using India
ink and a crow-quill pen, but thought nothing of that as he was always
experimenting with them.
Joyce was not the only one of the children who had inherited artistic
ability. Jack never attempted pictures, but he did beautiful lettering;
odd initials and old English script, and had copied verses for calendars
and fly-leaf inscriptions. Joyce said some of his pen-and-ink work was
as beautifully done as the letters she had seen in old missals, made by
the monks.
Nearly an hour went by. Mary addressed her last envelope. He laid down
his pen and pushed a narrow strip of cardboard towards her.
"I've made you one more present to end the day with, Mary," he said
jokingly. "It's a bookmark."
Inside a narrow border of conventional scrollwork was one line, and the
line was from the verse which she had quoted so disastrously that day at
the creek-bank:
"Close all the roads of all the world, _Love's_ road is open still!"
As she looked up to speak he interrupted her hurriedly:
Public-domain text, read in full here on John Shaqi.
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