Masks, with Jim's beast, Tides, Among the lions, The reason, The house: one act plays of contemporary lifeMiddleton, George
General
Masks, with Jim's beast, Tides, Among the lions, The reason, The house: one act plays of contemporary life
Middleton, George
American drama -- 20th century; One-act plays, American
I suppose you meant very well, Miss Tenner; you said it just as
though it were a scene in some play--with the proper emphasis and
pause and nice phrases. But believe me, Mrs. Frowde is right:
we can’t judge people by the same standards. (_Contemptuously_)
There _is_ a difference between you and me. _I_ feel it myself.
When I need forgiveness I shall only want it of my own class.
(_Scornfully_) The tolerance of yours means nothing to me. (_Very
quietly_) I am sorry, Mrs. Frowde. I’ll not call again till he and
I are married. Then, of course, it will be all right. Good-bye.
(MISS STANNARD _goes out quickly leaving_ PATRICIA _dumb at
her mis-reading of the situation_.
MRS. FROWDE, _who has been too confused throughout to speak,
now vents her anger on_ MISS STANNARD.)
MRS. FROWDE
The brazen hussy! You see what she is--to insult you so after your
splendid defense of her!
PATRICIA
(_Slowly_)
She was right.
MRS. FROWDE
Not at all. She doesn’t understand the difference with a lady of
temperament.
PATRICIA
Temperament--oh, yes. (_She smiles sarcastically and then looks
surprised at_ MRS. FROWDE.) And you are not angry with me?
MRS. FROWDE
(_Affectionately_)
At _you_, my dear friend? Indeed not. I know you didn’t mean _me_.
And besides I would have understood you if you had.
PATRICIA
(_Eyeing her with undetected cynicism_)
Yes, yes. You would have understood.
MRS. FROWDE
(_Impulsively_)
Won’t you stay and have a bite to eat with me--all alone? I can
drive you to the theater.
PATRICIA
I have an interview.
MRS. FROWDE
(_As they walk to the door_)
Too bad they misquote so.
PATRICIA
Yes, isn’t it? I’ve had such a dear afternoon.
MRS. FROWDE
(_Embracing her affectionately_)
And you’ll come to lunch Tuesday?
PATRICIA
(_As though wishing to escape_)
No ... I....
MRS. FROWDE
(_Solicitously_)
But Mavosky will be here and he’s taken quite fancy to you. Thinks
you’d make a splendid study.
PATRICIA
(_Recalling_)
Mavosky! Oh, yes. I thought you said Wednesday; that’s matinée day.
Tuesday is all right.
MRS. FROWDE
Say at two?
PATRICIA
I may be a moment late.
MRS. FROWDE
We’ll wait for you. (_As they are walking out_) I hope you’ll
forget what _she_ said.
PATRICIA
Oh, Miss Stannard hasn’t any temperament. And it does make a
difference, doesn’t it?
(_They go out leaving the room empty, with the candles on the
table winking in their sockets._)
[CURTAIN]
[D] Copyright by George Middleton. See back of title page.
THE REASON
THE PEOPLE
LOCKSLEY RANDOLPH, _a retired merchant_.
PAULA, _his daughter_.
TOM SABINE, _his secretary_.
MARY SABINE, _his secretary’s wife_.
SCENE
_Sitting-room at the Randolph home in a suburb of the city; an
early winter night._
THE REASON[E]
Public-domain text, read in full here on John Shaqi.
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