Masks, with Jim's beast, Tides, Among the lions, The reason, The house: one act plays of contemporary lifeMiddleton, George
General
Masks, with Jim's beast, Tides, Among the lions, The reason, The house: one act plays of contemporary life
Middleton, George
American drama -- 20th century; One-act plays, American
_A handsomely furnished sitting-room, the general entrance of which
from the floor below is at the right. Beyond this a broad window is
seen as the moonlight faintly filters through the trees outside.
Directly opposite, some smoldering logs betray a fireplace, near
which is another door opening into_ PAULA’S _apartments. Large
double doors in the center open into a hallway leading to library.
A telephone is on a large writing-table, upon which a light, with
a luxurious shade suspended above, casts a strong yellow glow. The
furnishings show signs of tasteless wealth and are devoid of any
feminine touch._
SABINE _and_ RANDOLPH _are bending over some documents_.
SABINE _is about thirty-three, clean-shaven with shrewd eyes and a
conspicuously insinuating smile. The manner with which he feels for
his words and his studied coolness suggest a deep and significant
interest in the developments._
RANDOLPH _is fifty, well-preserved and possessing the assurance of
permanent prosperity: he is apparently without illusions as the
lines about his slightly protruding eyes and thick lips indicate a
dissipated life_.
_Though the two men are obviously considerate, there is concealed
an instinctive mistrust. They are silent a long while until_
RANDOLPH _looks up from the papers_.
SABINE
Anything else?
RANDOLPH
How long will those compilations take?
SABINE
Same as the others.
RANDOLPH
A month each, eh? You’ve done ... let’s see....
SABINE
I’ve been your secretary for three months.
RANDOLPH
And you’ve been at these every evening--ever since I took you in.
SABINE
I wouldn’t put it that way.
RANDOLPH
You are sure you can still find all you need in my own library here?
SABINE
All I need--behind the closed doors.
RANDOLPH
(_Casually_)
I shall see that my orders not to disturb you are continued.
SABINE
I’ve noticed you never even come yourself.
RANDOLPH
I like to think of young genius being left alone.
SABINE
(_Mock seriously_)
And out of harm’s way?
RANDOLPH
Exactly--at night. (_Half to himself._) Another month will about
finish it.
SABINE
(_Significantly_)
Mr. Randolph, you are paying rather high for----
RANDOLPH
(_Eyeing him quickly_)
For what?
SABINE
(_Turning the pages casually_)
Unremunerative work.
RANDOLPH
One never pays too high for what one wants.
SABINE
Not at the time.
(_They look at each other_: SABINE _slowly gathers the papers
together and glances towards_ RANDOLPH _who is coolly staring
before him. There is a quiet pause. Then_ SABINE _opens the
library door and casually steps back_.)
Your daughter. (_Calmly to_ PAULA) Your father is here, Miss
Randolph.
(PAULA _enters with a book in hand. She is twenty-three
and charming, with a sweet innocent air which suggests a
hedged-in life. She is dressed in a simple tea-gown and her
manner throughout is calm and unsophisticated._)
PAULA
Good evening, Mr. Sabine.
RANDOLPH
Where have you been, Paula?
PAULA
Getting a book.
Public-domain text, read in full here on John Shaqi.
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