Masks, with Jim's beast, Tides, Among the lions, The reason, The house: one act plays of contemporary lifeMiddleton, George
General
Masks, with Jim's beast, Tides, Among the lions, The reason, The house: one act plays of contemporary life
Middleton, George
American drama -- 20th century; One-act plays, American
(RANDOLPH _goes out, closing the door. Sabine stands a
moment, then turns to the window and looks off till he sees
the car has driven away. He turns down the light and then
crossing eagerly, he knocks on_ PAULA’S _door. He repeats
this._)
Paula! Paula!!
(_He stands waiting._)
[CURTAIN]
[E] Copyright by George Middleton. See back of title page.
THE HOUSE
THE PEOPLE
CHARLES RAY, a _professor of philosophy_.
ELIZABETH, _his wife_.
SCENE
_A room in an apartment hotel suite. One evening._
THE HOUSE[F]
_PROFESSOR and MRS. RAY are at the little table finishing their
coffee. In the center there is a white-robed birthday cake with
three golden candles sending a gentle light on them. A myriad of
faint wrinkles on the_ PROFESSOR’S _kindly face might betray his
age, though his thin body, in spite of its slight stoop, belies
his seventy years. As he sits there precisely dressed in his
evening clothes, he is the personification of fine breeding, the
incarnation of all that blood and culture can produce. And through
it all, there glows an alluring whimsy which one has no right to
expect in a professor of philosophy._
MRS. RAY, _gowned also for the ceremony they are celebrating, is
ten years younger; soft and gentle, too, yet sadder somehow, as
though, in spite of her effort to live in his enthusiasms, it has
become a bit difficult to sustain his mood of happiness._
_But as they sip their coffee alone in the hotel suite with its
conventional furnishings of a stereotyped comfort, graced only
by a large bunch of white roses, one senses the deep and abiding
affection which has warmed their long life together._
PROFESSOR
(_With a sigh of contentment_)
Ah!
(_He sees she is thoughtful: he reaches over and takes from
behind the table the quart bottle of champagne. He pours a
little in her glass._)
MRS. RAY
Oh, dear; I’m afraid I’ve had enough.
PROFESSOR
Nonsense.
MRS. RAY
But I’m beginning to feel it.
PROFESSOR
That’s the intention. (_Filling his glass._) There. Now a toast.
(_Standing with the greatest gallantry._) Here’s to my comrade of
forty years: may we have as many more together.
MRS. RAY
Oh, Charles, I’m afraid that’s asking too much of Providence.
PROFESSOR
We should ask much and be satisfied with less.
MRS. RAY
(_Raising her glass_)
To my friend and husband.
PROFESSOR
You make a distinction?
MRS. RAY
The world does.
PROFESSOR
What is the world doing here on our wedding anniversary?
(_Seriously_) Let’s drink to each other--and the children.
MRS. RAY
(_Wistfully looking at the candles_)
And the children.
(_They sip: he shows he enjoys it; she sits thoughtfully
while he takes out his cigarette case. He starts to take one,
and then, with a twinkle in his eyes, offers her the case._)
PROFESSOR
Cigarette, dear?
MRS. RAY
(_Smiling_)
No: thank you. I shan’t begin at my time of life.
PROFESSOR
Public-domain text, read in full here on John Shaqi.
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