We all of us think of Athens in the fifth century as a golden period of great men, when every genius was appreciated, but you know that they put Pheidias in prison. And take the instance of Euripides. The majority of his countrymen said he was nothing to the late Aeschylus. He was chiefly appreciated by foreigners, as you will remember if you are able to read 'Balaustion's Adventure' (so much more difficult than Euripides in the original Greek). Listen to what Professor Murray says:-- His contemporary public denounced him as dull, because he tortured them with personal problems; as malignant, because he made them see truths they wished not to see; as blasphemous and foul-minded, because he made demands on their religious and spiritual natures which they could neither satisfy nor overlook. They did not know whether he was too wildly imaginative or too realistic, too romantic or too prosaic, too childishly simple or too philosophical--Aristophanes says he was all these things at once. They only knew that he made them angry and that they could not help listening to him. Does not that remind you a little of what was said all over England of Mr. Bernard Shaw? Of what is still said about him in many London houses to-day? If some one praises him, the majority of people will tell you that he is overrated. Does it not remind you of the reception which Ibsen's plays met when they were first produced here: when they gave an impetus to that new English drama which I understand is decaying, though it seems to me to be only beginning--the new English Drama of Mr. Granville Barker, Mr. Housman, Mr. Arnold Bennett, Mr. Galsworthy, and Mr. Masefield?