New England -- Juvenile fiction; United States -- History -- Colonial period, ca. 1600-1775 -- Juvenile fiction
So there under the linden tree, Clotilde listened to just such words as
Alisoun Bardwell had heard there also, the same that Margeret Radpath
had hearkened to in the schoolhouse lane, words that had opened the
gates to such far-reaching happiness. The thin shadow of the sundial
passed the noon mark, stretched its dark finger across one figure and
then another on the circle of the dial. Still they sat there, while
Clotilde learned how Gerald had gone away in silence on account of that
unlucky letter from Miles, of his restless unhappiness in England and
his inability to hide at home when he heard of an American ship setting
sail for a port so near to Hopewell. Of how Miles had met him at the
gate of the inn and, so full of joy that he could not keep his news to
himself, had told of his approaching marriage. Whatever Gerald might
have already planned to do or say, if indeed he had plans at all, had at
once been swept away in his instant desire to reach Clotilde with all
the speed he might.
“I wish that dear Master Sheffield might have known of our happiness,”
said Clotilde as he concluded his story, “or might at least have seen
that it was to come.”
“Perhaps he did,” returned Gerald, “for when I went away he gave me
Samuel Skerry’s lucky penny and said, ‘It will be the best good fortune
of all, lad, when it brings you back to us.’ So here it is and here am
I, and it is on this side of the water that I am going to abide for the
rest of my life. The war is over, King George’s quarrel with the
Colonies is settled forever and I can, with all honesty, throw in my lot
with the Americans.”
Clotilde had much to tell also, of Stephen’s death and Mère Jeanne’s, of
the unhappy, dragging years of the war, of the final beginning of peace
and prosperity, and of the replanting of the garden.
“And see,” she cried joyously, pointing to the beds already green with
growing plants and to the rows of blossoms that had come out in all
their Spring bravery of colour just as though they knew the soil had
once been their real home, “is it not a marvel that Master Simon’s
garden has so come to its own again?”
Public-domain text, read in full here on John Shaqi.
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