New England -- Juvenile fiction; United States -- History -- Colonial period, ca. 1600-1775 -- Juvenile fiction
Although those wharves are idle and the warehouses empty, you need not
think, however, that the products of America stop at home. No, they are
carried by different ships, swift steel vessels that drop long trails of
smoke behind them as they speed upon their way, they go out through
different harbours, but, just the same, New England goods and New
England men find their way to the very ends of the world.
The hum of the spinning-wheel and the creak of the loom that once you
could hear in the warm noontide, through the open cottage doors, has
increased now a thousand-fold, for rows of great brick factories crown
the hill and, far out to sea, the fishermen can see, hanging over
Hopewell, the cloud of smoke from hundreds of spouting chimneys. The
tiny log but where Goody Parsons planted her rose, the cottage where
Samuel Skerry plied his trade, even the house with its white-painted
doorway where Miles Atherton used to live, have all vanished to make
room for newer, greater buildings. The little meeting house still
stands, but is overshadowed by a great stone church, where a huge organ
has taken the place of the droning psalm-singing, and where the pastor
has now neither time nor need for planting potato fields to eke out his
living. Yet amid all the stately buildings about it, schools, library,
church and Court House, the old grey log house is the most precious of
all, for it stands as a monument to the brave men who reared it and who
carried their love of freedom into a new world.
At the bend in the stream where the little Jesuit priest had built his
woodland chapel and decked his altar, there is now a busy humming
factory town, called by his name and driving its noisy spinning-wheels
by means of the river that once babbled past his door. Rows of toiling
men and women can look out through their tall windows down upon the
grave of Jeremiah Macrae where the Indians set up a rough white stone at
the bidding of their dearly loved French father.
Public-domain text, read in full here on John Shaqi.
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