So, often, he kept Nick before a mirror for an hour at a time, making
faces while he spoke his lines, smiling, frowning, or grimacing as best
seemed to fit the part, until the boy grew fairly weary of his own
looks. Then sometimes, more often as the time slipped by, Carew would
clap his hands with a boyish laugh, and have a pie brought and a cup of
Spanish cordial for them both, declaring that he loved the lad with all
his heart, upon the remnant of his honour: from which Nick knew that he
was coming on.
Cicely Carew’s governess was a Mistress Agnes Anstey. By birth she had
been a Harcourt of Ankerwyke, and she was therefore everywhere esteemed
fit by birth and breeding to teach the young mind when to bow and when
to beckon. She came each morning to the house, and Carew paid her double
shillings to see to it that Nick learned such little tricks of cap and
cloak as a lady’s page need have, the carriage best fitted for his
place, and how to come into a room where great folks were. Moreover, how
to back out again, bowing, and not fall over the stools—which was no
little art, until Nick caught the knack of peeping slyly between his
legs when he bowed.
His hair, too, was allowed to grow long, and was combed carefully every
day by the tiring-woman; and soon, as it was naturally curly, it fell in
rolling waves about his neck.
On the heels of the governess came M’sieu de Fleury, who, it was said,
had been dancing-master to Hatton, the late Lord Chancellor of England,
and had taught him those tricks with his nimble heels which had capered
him into the Queen’s good graces, and so got him the chancellorship.
M’sieu spoke dreadful English, but danced like the essence of agility,
and taught both Nick and Cicely the latest Italian coranto, playing the
tune upon his queer little pochette.
Cicely already danced like a pixy, and laughed merrily at her comrade’s
first awkward antics, until he flushed with embarrassment. At that she
instantly became grave, and, when M’sieu had gone, came across the room,
and putting her arm about Nick, said repentantly, “Don’t thou mind me,
Nick. Father saith the French all laugh too soon at nothing; and I have
caught it from my mother’s blood. A boy is not good friends with his
feet as a girl is; but thou wilt do beautifully, I know; and M’sieu
shall teach us the galliard together.”
And often, after the lesson was over and M’sieu departed, she would
have Nick try his steps over and over again in the great room, while she
stood upon the stool to make her tall, and cried, “Sa—sa!” as the
master did, scolding and praising him by turns, or jumping down in
pretty impatience to tuck up her little silken skirts and show him the
step herself; while the cook’s knave and the scullery-maids peeped at
the door and cried: “La, now, look ’e, Moll!” at every coupee.
Public-domain text, read in full here on John Shaqi.
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