But in the morning at breakfast there was a gittern at Nick’s place—a
rare old yellow gittern, with silver scrolls about the tail-piece, ivory
pegs, and a head that ended in an angel’s face. It was strung with
bright new silver strings, but near the bridge of it there was a little
rut worn into the wood by the tips of the fingers that had rested there
while playing, and the silken shoulder-ribbon was faded and worn.
Nick stopped, then put out both his hands as if to touch it, yet did
not, being half afraid.
“Tut, take it up!” said Carew, sharply, though he had not seemed to
heed. “Take it up—it is for thee.”
“For me?” cried Nick—“not for mine own?”
Carew turned and struck the table with his hand, as if suddenly wroth.
“Why should I say it was for thee? if it were not to be thine own?”
“But, Master Carew—” Nick began.
“‘Master Carew’ fiddlesticks! Hold thy prate. Do I know my own mind, or
do I filter my wits through thee? Did I not say that it is thine? Good,
then—’tis thine, although it were thrice somebody else’s; and thrice as
much thy very own through having other owners. Dost hear? Well, then,
enough—we’ll have no words about it!”
Rising abruptly as he spoke, he clapped his hat upon his head and left
the room, Nick standing there beside the table, staring after him, with
the gittern in his hands.
CHAPTER XXVI
TO SING BEFORE THE QUEEN
“Sir Fly hangs dead on the window-pane;
The frost doth wind his shroud;
Through the halls of his little summer house
The north wind cries aloud.
We will bury his bones in the mouldy wall,
And mourn for the noble slain:
A southerly wind and a sunny sky—
Buzz! up he comes again!
Oh, Master Fly!”
Nick looked up from the music-rack and shivered. He had forgotten the
fire in studying his song, and the blackened ends of the burnt-out logs
lay smouldering on the hearth. The draught, too, whistled shrilly under
the door, in spite of the rushes that he had piled along the crack.
The fog had been gone for a week. It was snapping cold; and through the
peep-holes he had thawed upon the window-pane with his breath, he could
see the hoar-frost lying in the shadow of the wall in the court below.
How forlorn the green old dial looked out there alone in the cold, with
the winter dust whirling around it in little eddies upon the wind! The
dial was fringed with icicles, like an old man’s beard; and even the
creeping shadow on its face, which told mid-afternoon, seemed frozen
where it fell.
Mid-afternoon already, and he so much to do! Nick pulled his cloak about
him, and turned to his song again:
“Sir Fly hangs dead on the window-pane;
The frost doth wind his shroud—”
But there he stopped; for the boys were singing in the great hall below,
and the whole house rang with the sound of the roaring chorus:
“Down-a-down, hey, down-a-down,
Hey derry derry down-a-down!”
Public-domain text, read in full here on John Shaqi.
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