It was a happy little song of the coming and the triumph of the spring. The words were all forgotten long ago. They were not much: enough to serve the turn, no more; but the notes to which they went were like barn swallows twittering under the eaves, goldfinches clinking in purple weeds beside old roads, and robins singing in common gardens at dawn. And wherever Nick’s voice ran Colley’s followed, the pipes laughing after them a note or two below; while the flutes kept gurgling softly to themselves as a hill brook gurgles through the woods, and the harps ran gently up and down like rain among the daffodils. One voice called, the other answered; there were echo-like refrains; and as they sang Nick’s heart grew full. He cared not a stiver for the crowd, the golden palace, or the great folk there—the Queen no more—he only listened for Colley’s voice coming up lovingly after his own and running away when he followed it down, like a lad and a lass through the bloom of the May. And Colley was singing as if his heart would leap out of his round mouth for joy to follow after the song they sung, till they came to the end and the skylark’s song. There Colley ceased, and Nick went singing on alone, forgetting, caring for, heeding nought but the song that was in his throat. The Queen’s fan dropped from her hand upon the floor. No one saw it or picked it up. The Venetian ambassador scarcely breathed. Nick came down the stage, his hands before him, lifted as if he saw the very lark he followed with his song, up, up, up into the sun. His cheeks were flushed and his eyes were wet, though his voice was a song and a laugh in one. Then they were gone behind the curtain, into the shadow and the twilight there, Colley with his arms about Nick’s neck, not quite laughing, not quite sobbing. The manuscript of the Revel lay torn in two upon the floor, and Master Gyles had a foot upon each piece. In the hall beyond the curtain was a silence that was deeper than a hush, a stillness rising from the hearts of men. Then Elizabeth turned in the chair where she sat. Her eyes were as bright as a blaze. And out of the sides of her eyes she looked at the Venetian ambassador. He was sitting far out on the edge of his chair, and his lips had fallen apart. She laughed to herself. “It is a good song, signor,” said she, and those about her started at the sound of her voice. “_Chi tace confessa—_it is so! There are no songs like English songs—there is no spring like an English spring—there is no land like England, _my_ England!” She clapped her hands. “I will speak with those lads,” said she. Straightway certain pages ran through the press and came behind the curtain where Nick and Colley stood together, still trembling with the music not yet gone out of them, and brought them through the hall to where the Queen sat, every one whispering, “Look!” as they passed.