"I won't say I hav'n't," he replied with cheerful impudence. "But I've
done with that sort of thing now. And I'll say one thing for myself, I
never yet sold a picture that I knew was a fake. But, O Lor', these
people are such children! They think they know everything, and on art
they are as ignorant as dirt. They carry round little books of
nothingness by Professor This and Professor That, and go into raptures
over all sorts of rubbish because they're told to. And they won't be
told better, that's the trouble. But I mean to tell them some day.
Only, you see, I can't write the way it ought to be written. I
suppose, now, you're not by any chance a writer, are you?"
"I suppose I'm a sort of writer. At all events, the last thing I did
was to write something of which I am heartily ashamed."
"And did they sack you?"
"They did. Or, to be more precise, I sacked myself."
"Well, why shouldn't you and I join forces? Of course I wouldn't think
of saying this to any one but an Englishman. I can give you lots of
stuff, and you can write it up, you know. We might make a book, don't
you think?"
"But I know nothing about art except in an amateur way."
"And what's that matter, I'd like to know? I'll be bound you know lots
more than the folk that do the writing here. And as for the
collections--oh my, you should see them! Constables done in Soho, and
Raphaels painted in Paris; curtains hung over them, if you please, as
if they were too precious to see the light; and when you mildly remark,
'But that picture's in Munich or Dresden or Buckingham Palace,' they
reply indignantly, 'Oh no! that's the copy--this the original. I have
a certificate of genuineness.' And then they produce a written
pedigree, with the names of Prince This or Prince That, through whose
hands their precious canvas has passed, when any one with half an eye
can see that the paint is 'ardly dry upon it."
"Is it as bad as that?"
"Much worse, if I told you all."
And thereupon followed story after story, full of rapid etchings of the
dupes and the dealers; with amazing biographies of adroit Jews born in
garrets who now owned palaces and sported titles; and strange old men
in London who hid behind shuttered windows genuine and priceless
pictures, and credulous millionaires in New York, who bought what might
by courtesy be called pictures by the yard, labelling them with august
names, and taking care that the papers duly reported the immense sums
they paid for them. It was all highly amusing, a backstairs view of
life, so to speak, which somehow bore the stamp of the authentic. The
time sped; the music and the company had become less restrained; and
the hovering waiter reminded them by his black looks that they had sat
too long.
"Where are you staying?" said Homer, as they rose to go.
Arthur mentioned the hotel to which he had sent his trunks.
"Oh my!" said Horner, "but, you know, that won't do. It isn't a safe
district, that. What took you there?"
Public-domain text, read in full here on John Shaqi.
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