"The minister he had heard the same thing from one of his deakins
that day; and when he saw Huldy so kind o' silent, he says to her,
'Why don't you sing, my child?'
"He had a pleasant sort o' way with him, the minister had, and Huldy
had got to likin' to be with him; and it all come over her that
perhaps she ought to go away; and her throat kind o' filled up so she
couldn't hardly speak; and, says she, 'I can't sing to-night'
"Says he, 'You don't know how much good your singin' has done me, nor
how much good you have done me in all ways, Huldy. I wish I knew how
to show my gratitude.'
"'Oh, sir!' says Huldy, '_is_ it improper for me to be here?'
"'No, dear,' says the minister, 'but ill-natured folks will talk; but
there is one way we can stop it, Huldy--if you'll marry me. You'll
make me very happy, and I'll do all I can to make you happy. Will
you?'
"Wal, Huldy never told me just what she said to the minister; gals
never does give you the particulars of them things jist as you'd like
'em--only I know the upshot and the hull on't was, that Huldy she did
a considerable lot o' clear starchin' and ironin' the next two days,
and the Friday o' next week the minister and she rode over together
to Doctor Lothrop's, in Oldtown, and the Doctor he jist made 'em man
and wife."
William Dean Howells
MRS. JOHNSON
It was on a morning of the lovely New England May that we left the
horse-car and, spreading our umbrellas, walked down the street to our
new home in Charlesbridge, through a storm of snow and rain so finely
blent by the influences of this fortunate climate that no flake knew
itself from its sister drop, or could be better identified by the
people against whom they beat in unison. A vernal gale from the east
fanned our cheeks and pierced our marrow and chilled our blood, while
the raw, cold green of the adventurous grass on the borders of the
sopping sidewalks gave, as it peered through its veil of melting snow
and freezing rain, a peculiar cheerfulness to the landscape. Here and
there in the vacant lots abandoned hoopskirts defied decay; and near
the half-finished wooden houses empty mortar-beds and bits of lath
and slate, strewn over the scarred and mutilated ground, added their
interest to the scene....
Public-domain text, read in full here on John Shaqi.
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