Casting a cursory glance backwards, do we not find, side by side with a
work of such severely classic proportions, noble aspirations, yet simple
construction as Méhul's "Joseph," bright specimens of the "opéra
comique," like Boïeldieu's "Dame Blanche," Hérold's "Pré aux Clercs,"
Auber's "Fra Diavolo," and "Domino Noir"? The Grand Opéra stage is
enriched by works so full of natural spontaneity as Auber's "Muette de
Portici," and of dramatic power as Halévy's "La Juive." Later on,
Berlioz revolutionises orchestral methods whilst raising the ideal
previously aimed at, Gounod adds an elegiac note and an intensity of
poetical feeling to the characteristics of his nation, and Bizet gives
evidence of a genius unhappily too soon cut short, and prepares the way
for the realistic operatic style now so much in vogue. "Faust,"
"Mignon," "Carmen," "Manon," "Samson et Dalila," and other operas
acquire a European fame, whilst the younger French composers are
impatiently waiting for the opportunity to vie with their elders.
In closing this little volume I must again express the consciousness I
entertain of the inadequacy of my efforts to deal with a subject that
would require several volumes to do it justice.
If, however, I have succeeded, in addition to furnishing particulars of
the lives of the most popular French composers, in drawing attention to
the works of some who are less well-known than they deserve to be, my
object will have been attained, and this little book will not have been
written in vain.
APPENDIX
LIST OF THE PRINCIPAL WORKS COMPOSED BY AMBROISE THOMAS, GOUNOD,
SAINT-SAËNS, MASSENET, REYER, AND BRUNEAU
AMBROISE THOMAS
_DRAMATIC WORKS_
1. "Le Double Échelle," opéra comique, 1 act. 1837.
2. "Le Perruquier de la Régence," op. com., 3 acts. 1838.
3. "La Gipsy," ballet, 2 acts. 1839.
(In collaboration with Benoist.)
4. "Le Panier fleuri," op. com., 1 act. 1839.
5. "Carline," op., 3 acts. 1840.
6. "Le Comte de Carmagnole," op., 2 acts. 1841.
7. "Le Guerillero," op., 2 acts. 1842.
8. "Angélique et Médor," op. com., 1 act. 1843.
9. "Mina," op. com., 3 acts. 1843.
10. "Betty," ballet, 2 acts. 1846.
11. "Le Caïd," op. com., 3 acts. 1849.
12. "Le Songe d'une Nuit d'Été," op. com., 3 acts. 1850.
13. "Raymond," op., 3 acts. 1851.
14. "La Tonelli," op., 2 acts. 1853.
15. "La Cour de Célimène," op. com., 2 acts. 1855.
16. "Psyché," op., 3 acts. 1857.
17. "Le Carnaval de Venise," op. com., 3 acts. 1857.
18. "Le Roman d'Elvire," op. com., 3 acts. 1860.
19. "Mignon," op., 3 acts. 1866.
20. "Hamlet," op., 5 acts. 1868.
21. "Gille et Gillotin," op. com., 1 act. 1874.
22. "Françoise de Rimini," op., 5 acts. 1882.
23. "La Tempête," ballet. 1889.
_SACRED WORKS_
Requiem.
Messe Solennelle.
Marche Religieuse.
3 Motets.
_MISCELLANEOUS WORKS_
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account