Masters of the English Novel: A Study of Principles and PersonalitiesBurton, Richard
History
Masters of the English Novel: A Study of Principles and Personalities
Burton, Richard
English fiction -- History and criticism
If so, well and good. If not, whatever of place or power may be
mine, I am among the world's failures, having missed the goal.
This view, steadily to be encountered in all her fiction, gives
it the grave quality, the deep undertone and, be it confessed,
at times the almost Methodistic manner, which mark this woman's
worth in its weakness and its notable strength. In her early
days, long before she made fiction, she was morbidly religious;
she became in the fulness of time one of the intellectually
emancipated. Yet, emotionally, spiritually, she remained to the
end an intensely religious person. Conduct, aspiration,
communion of souls, these were to her always the realities. If
Thackeray's motto was Be good, and Dickens', Do good, Eliot's
might be expressed as: Make me good! Consider for a moment and
you will see that these phrases stand successively for a
convention, an action and an aspiration.
The life of Mary Ann Evans falls for critical purposes into
three well-defined divisions: the early days of country life
with home and family and school; her career as a savant; and the
later years, when she performed her service as story-teller.
Unquestionably, the first period was most important in
influencing her genius. It was in the home days at Griff, the
school days at Nuneaton nearby, that those deepest, most
permanent impressions were absorbed which are given out in the
finest of her fictions. Hence came the primal inspiration which
produced her best. And it is because she drew most generously
upon her younger life in her earlier works that it is they which
are most likely to survive the shocks of Time.
The experiences of Eliot's childhood, youth and young womanhood
were those which taught her the bottom facts about middle-class
country life in the mid-century, and in a mid-county of England;
Shakspere's county of Warwick. Those experiences gave her such
sympathetic comprehension of the human case in that environment
that she became its chronicler, as Dickens had become the
chronicler of the lower middle-class of the cities. Unerringly,
she generalized from the microcosm of Warwickshire to the life
of the world and guessed the universal human heart. With utmost
sympathy, joined with a nice power of scrutiny, she saw and
understood the character-types of the village, when there was a
village life which has since passed away: the yeoman, the small
farmer, the operative in the mill, the peasant, the squire and
the parson, the petty tradesman, the man of the professions: the
worker with his hands at many crafts.
Public-domain text, read in full here on John Shaqi.
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