Masters of the English Novel: A Study of Principles and PersonalitiesBurton, Richard
History
Masters of the English Novel: A Study of Principles and Personalities
Burton, Richard
English fiction -- History and criticism
An even more virile figure and one to whom the attribution of
genius need not be grudged, is the strong, pugnacious, eminently
picturesque Charles Reade. It is a temptation to say that but
for his use of a method and a technique hopelessly old-fashioned,
he might claim close fellowship for gift and influence with
Dickens. But he lacked art as it is now understood: balance,
restraint, the impersonal view were not his. He is a glorious
but imperfect phenomenon, back there in the middle century.
He worked in a way deserving of the descriptive phrase once
applied to Macaulay--"a steam engine in breeches;" he put
enough belief and heart into his fiction to float any literary
vessel upon the treacherous waters of fame. He had, of the more
specific qualities of a novelist, racy idiom, power in creating
character and a remarkable gift for plot and dramatic scene.
His frankly melodramatic novels like "A Terrible Temptation"
are among the best of their kind, and in "The Cloister and
the Hearth" he performed the major literary feat of
reconstructing, with the large imagination and humanity
which obliterate any effect of archeology and worked-up
background, a period long past. And what reader of English
fiction does not harbor more than kindly sentiments for those
very different yet equally lovable women, Christie Johnstone and
Peg Woffington? To run over his contributions thus is to feel
the heart grow warm towards the sturdy story-teller. Reade also
played a part, as did Kingsley, in the movement for recognition
of the socially unfit and those unfairly treated. "Put Yourself
in His Place," with its early word on the readjustment of labor
troubles, is typical of much that he strove to do. Superb
partisan that he was, it is probable that had he cared less for
polemics and more for his art, he would have secured a safer
position in the annals of fiction. He can always be taken up and
enjoyed for his earnest conviction or his story for the story's
sake, even if on more critical evaluations he comes out not so
well as men of lesser caliber.
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