Masters of the English Novel: A Study of Principles and PersonalitiesBurton, Richard
History
Masters of the English Novel: A Study of Principles and Personalities
Burton, Richard
English fiction -- History and criticism
Hence, one of the bye-products of Miss Austen's books is their
revelation of hide-bound class-distinction, the not seldom ugly
parochialism--the utilitarian aims of a circle of highly
respectable English country folk during the closing years of the
eighteenth century. The opening sentence of her masterpiece
reads: "It is a truth universally acknowledged that a single man
in possession of a good fortune must be in want of a wife."
Needless to say that "universally" here is applicable to a tiny
area of earth observed by a most charming spinster, at a certain
period of society now fast fading into a dim past. But the
sentence might serve fairly well as a motto for all her work:
every plot she conceived is firm-based upon this as a major
premise, and the particular feminine deduction from those words
may be found in the following taken from another work,
"Mansfield Park": "Being now in her twenty-first year, Maria
Bertram was beginning to think marriage a duty; and as a
marriage with Mr. Rushford would give her the enjoyment of a
larger income than her father's, as well as insure her the house
in town, which was now a prime object, it became by the same
rule of moral obligation, her evident duty to marry Mr. Rushford
if she could." The egocentric worldliness of this is superb. The
author, it may be granted, has a certain playful satire in her
manner here and elsewhere, when setting forth such views: yet it
seems to be fair to her to say that, taking her fiction as a
whole, she contentedly accepts this order of things and builds
upon it. She and her world exhibit not only worldliness but that
"other-worldliness" which is equally self-centered and
materialistic. Jane Austen is a highly enjoyable mondaine. To
compare her gamut with that of George Eliot or George Meredith
is to appreciate how much has happened since in social and
individual evolution. The wide social sympathy that throbs in
modern fiction is hardly born.
In spite, too, of the thorough good breeding of this woman
writer, the primness even of her outlook upon the world, there
is plain speaking in her books, even touches of coarseness that
are but the echo of the rankness which abounds in the
Fielding-Smollett school. Happily, it is a faint one.
Public-domain text, read in full here on John Shaqi.
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