Masters of the English Novel: A Study of Principles and PersonalitiesBurton, Richard
History
Masters of the English Novel: A Study of Principles and Personalities
Burton, Richard
English fiction -- History and criticism
certain extent by the social convention of his time) in dealing
with the sins of human beings. He is plainly glad to leave Effie
an honestly married woman with the right to look forward to
happy, useful years. The story breeds generous thoughts on the
theme of young womanhood: it handled the problem neither from
the superior altitude of the conventional moralist nor the cold
aloofness of the latter-day realist--Flaubert's attitude in
"Madame Bovary."
"A big, imperfect, noble Novel," the thoughtful reader concludes
as he closes it, and thinking back to an earlier impression,
finds that time has not loosened its hold.
And to repeat the previous statement: what is true of this is
true of all Scott's romances. The theme varies, the setting with
its wealth of local color may change, the period or party differ
with the demands of fact. Scotch and English history are widely
invoked: now it is the time of the Georges, now of the Stuarts,
now Elizabethan, again back to the Crusades. Scott, in fact,
ranges from Rufus the Red to the year 1800, and many are the
complications he considers within that ample sweep. It would be
untrue to say that his plots imitate each other or lack in
invention: we have seen that invention is one of his virtues.
Nevertheless, the motives are few when disencumbered of their
stately historical trappings: hunger, ambition, love, hate,
patriotism, religion, the primary passions and bosom interests
of mankind are those he depicts, because they are universal. It
is his gift for giving them a particular dress in romance after
romance which makes the result so often satisfactory, even
splendid. Yet, despite the range of time and grasp of Life's
essentials, there is in Scott's interpretation of humanity a
certain lack which one feels in comparing him with the finest
modern masters: with a Meredith, a Turgeneff or a Balzac. It is
a difference not only of viewpoint but of synthetic
comprehension and philosophic penetration. It means that he
mirrored a day less complex, less subtle and thoughtful. This
may be dwelt upon and illustrated a little in some further
considerations on his main qualities.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account