Great Britain -- History -- Medieval period, 1066-1485 -- Juvenile fiction; Guilds -- Juvenile fiction; Middle Ages -- Juvenile fiction
“I was hoping you'd say that, Wilfrid,” she said with eager wistfulness.
“I've longed so to know--but he'd lived there since our fathers and
mothers were children. 'Twould ha' been like taking the soul out of his
body to drive him away.”
She was a slender, pretty creature, almost as childlike in her way
of speaking as if she had been no older than Dorothea or Alfred. The
children listened with pleased excitement commingled with a certain awe.
Gaffer Bartram had seemed as much a part of their lives as the sun or
the wind or the old pollard willow. When he was strong enough he taught
Alfred to snare rabbits and catch moles; when rheumatism crippled him he
sat by the door making baskets and telling Dorothy rhymes and tales of
seventy years ago. Then first his old gray cat Susan had disappeared,
after that the old man himself, and last the cottage caught fire and
burned. And father was actually giving orders to the men to dig up the
garden and see what lay under it.
There is a mysterious immovable setness about the Sussex Downs. What is
there seems to have been there always. The oldest man cannot say when
the great white hollows were first scooped out of the chalk, or
the dewponds made on the heights. Ever since there were people in
Sussex--whether it is five thousand years ago or fifteen thousand--the
short wind-swept turf has been grazed by woolly flocks. Before ever
a Norman castle held a vantage-height the tansy grew dark and rank in
cottage gardens and the children went gathering woodruff and speedwell
and the elfin gold of “little socks and shoes.” Any change, good or bad,
is a loss to some one--the land is so full of the life of the past.
Wilfrid and Edwitha well understood this, though they would never have
put it into fine phrases. They could not have said it except to each
other, and for that there was no need of speech. Because of it they had
left the old man at peace in his cottage, and even after he was dead
they put off the uncovering of what might lie under the soil of his
garden and his orchard.
Wilfrid's pottery had grown up in the last ten years near a claybank,
not far from the boundary between his father's land and Edwitha's old
home. An irregular terrace broke the slope above it, and here the tilled
land had come to an end at one point because the plows came hard against
a buried Roman wall. Not being able to break up the solid masonry
of Roman builders done a thousand years before, Wilfrid's father had
cleared away the soil, roofed over the ruin which he found, and used it
to store grain. This was Cold Harbor.
Public-domain text, read in full here on John Shaqi.
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