Mated from the Morgue: A Tale of the Second EmpireO'Shea, John Augustus
History
Mated from the Morgue: A Tale of the Second Empire
O'Shea, John Augustus
France -- History -- Second Empire, 1852-1870 -- Fiction
But in Paris the air you breathe is pure and brisk; the flowers in the
city grass-plots are fresh and fragrant; the waters of the Seine course
swiftly on with sparkling movement; the tall trees on the boulevards
make friendly rustle; there are wide shady shrubs, clad in thick mantle
of emerald, varied with citron and flecked with brown, in the public
gardens; silvery fountains seem to dance to inaudible music; the shafts
of sunshine play through clustering branches in the Elysian Fields and
the Luxembourg, and make fretwork of black and gold on the smooth sward.
This happens when Nature is in gracious mood and scatters broadcast her
charms from her bounteous lap. In Paris her mood is usually gracious,
for Paris is the favoured city, the queen-city, the one haunt of the
multitude where you can meet the Rus in Urbe, where you can salute the
pets of art in the bosom of the Benign Mother.
In two open victorias the party started on the trip. Captain Chauvin and
Caroline were on the seat of the first, and O'Hara on the strapontin in
front of them, dangerously near to the tempting hands of the tall girl
and in full range of her witching eyes. The bridegroom and bride were in
the second victoria. The captain went foremost, for he was _cicerone_.
To the Champ de Mars they drove first and entered the Military School,
the Chelsea Hospital of France.
'Go up, my children,' said Captain Chauvin; 'I am too feeble to
accompany you. Mount one hundred and seventy-three steps and you will
find the cell my saint occupied when he was a boy. There he lay in his
camp-bed; there he dreamed dreams, and there he made his first sketch.
Till your return, I shall fight an old fight with--a comrade.'
When they descended, the captain escorted them to the adjoining church.
'Here,' he said, 'he rests, the mortal part of him; here he was carried
to his tomb by the heirs of the dynasty he helped to overthrow. You see,
my children, he sleeps in the midst of the ancient braves at whose head
he once marched to victory; there, on the bronze tripod, is the sword
he wore at Austerlitz; look above, where those dusty trophies droop, ah!
sixty of them--this poor arm helped to win some few--they are flags
taken from the enemy in fair fight. They are--torn, bullet-pierced, and
time-mouldered as they are--the emblems of a glory that will live while
lives the world!'
The O'Hoolohan was getting excited. His brow flushed and his eyes
flashed. He tapped one foot on the marble floor like a restive charger
awaiting the trumpet-call to advance. He scanned the aisles and niches
of the sacred building as if he were searching for some lurking foe; he
clenched his right hand on an imaginary sword-hilt as if on the point of
rushing into some shock of battle. With all his calmness in actual
combat, such as we saw him at Clamart, this man was capable of being
roused to a flood-tide of passion, when his heart and imagination were
touched.
Public-domain text, read in full here on John Shaqi.
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