Mated from the Morgue: A Tale of the Second EmpireO'Shea, John Augustus
History
Mated from the Morgue: A Tale of the Second Empire
O'Shea, John Augustus
France -- History -- Second Empire, 1852-1870 -- Fiction
On this day the statue holds levée. Stooped veterans draw their old
uniforms from the bottom of musty drawers, put on the plumed shako
pierced with bullets, and the belts blackened with the powder of twenty
battles, and march with tottering step to lay their memorial wreaths of
the yellow-budded immortelles on the railings at the base.
'Tap! tap!' brattle the drum-sticks, plied by wrinkled fingers, and
slowly comes in sight the slender company from the Hôtel des Invalides,
for some of these warriors have to hobble to the rendezvous on crutches.
The sight is one to thrill and sadden, as these glorious relics of an
era that is past file feebly by, in every variety of military dress that
recalls the First Empire. There are about five-and-thirty of them--no
more. They halt and form into line in front of the entrance to the
monument. The stalwart Municipal Guard on sentry presents arms; the
withered commander of the band advances and hangs his huge votive
circlet of flowers on a rail, the drummer makes his most vigorous
attempt at a roulade, but there is the tremor of palsy in the sound; it
is as the rattling of clay on a coffin-lid.
'_Vive l'Empereur!_' pipes the commander, and a faint cheer, a cheer as
if from out the dimness of some distant vault, is the response from his
companions.
'Live the Man!' exclaims a stooped officer in cocked hat, brandishing
his stick as if it were a battle-blade. The stooped officer was Captain
Chauvin. Having acquitted themselves of the duty of loyal love, the
veterans broke up and dispersed, and our friend joined four bystanders
on the pavement of the Rue Castiglione. They were M. and Madame
O'Hoolohan, and M. and Madame O'Hara. They helped the aged warrior into
a close carriage--for he had grown sadly helpless of late--and drove
quietly to his apartment near the Panthéon. He complained of a coldness
in the limbs. They sate him in an easy-chair before the stove, and
wrapped him round with a warm cloak. He fell into a child-like slumber.
This may have lasted an hour, and then, with a loud voice, a voice with
the vibration of young manhood, the veteran exclaimed:
'Farewell, my friends; they are beating the _appel_ on high.'
Lifting himself to his feet, by a superhuman effort, he stood straight
as a lance for one moment, then flung out his arms and fell back dead.
There was a smile on his wan thin lips, and a hectic glow on his cheeks.
He was happier than his comrades, who did not follow him till another
year had driven France to grief and Paris to delirium, had wiped out the
legend of the Empire as with a bloody sponge, and had torn down the
monument to The Man.
THE END.
BILLING AND SONS, PRINTERS, GUILDFORD.
FOOTNOTES:
[1] In Paris the pawn-office is called 'my aunt,' as it is nick-named
'my uncle' in England.
[2] 'To have the sack,' Paris slang for 'to be in funds.'
[3] To be out of money.
[4] The debtors' prison.
Public-domain text, read in full here on John Shaqi.
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