Australia -- Fiction; Family life -- Fiction; Married women -- Fiction; Mothers -- Fiction
I truthfully replied that I was very glad indeed, and we emerged into
the street, and he hailed a passing tram. Again we took our places on
the dummy, that we might see and feel as much of the bright day as
possible. Melbourne was still gay and busy, in spite of gloomy
commercial forecasts, and the weather was all that a perfect autumn
morning could make it. The sun shone now with an evident intention to
continue doing so till bed-time, and we basked in it on the dummy seat
like two cats.
"What shall we do next?" asked Tom, consulting his watch. "It is not
near lunch-time yet. We must get an appetite for the sort of meal I mean
to have to-day."
Before we could make up our minds what to do next, the tram had carried
us into Burke Street, and lo! there was the temple of the waxworks
staring us in the face. Tom signalled the conductor, and we jumped off,
hand in hand, and without a word made our way to the door of the show
which we had heard even young children speak of as beneath
contempt--only fit for bloodthirsty schoolboys of the lower orders and
louts from the country who knew no better.
Well, we were from the country; and, whatever the artistic shortcomings
of this exhibition, it had the charm of novelty at any rate. Neither of
us had been to waxworks since we were taken as infants to Madame
Tussaud's. This was a far cry from Madame Tussaud's, but I must confess
that it amused us very well for half an hour. The effigies were full of
humour, and the instruments of torture in the chamber of horrors very
real and creepy. Also there were some relics of old colonial days that
were decidedly interesting. In short, we did not feel that we had wasted
time and two shillings when we had gone through the place, though we
pretended to have done so, laughing at each other, saying, "How silly we
are!"
"Well, let's be silly," said Tom, at last. "There's no law against that,
that I know of."
"None whatever," I gaily responded. "There's nobody to----"
"Hush!" he exclaimed, interrupting what I was going to say with a sharp
snatch at my arm. We were just leaving the waxworks, and he pulled me
back within the door.
"What's the matter?" I cried, bewildered by his sudden action and tone
of alarm.
"Come back--come back!" he whispered excitedly. "For Heaven's sake,
don't let her see us!"
"Who? who?"
He pointed to the street, and I had a momentary glimpse of our daughter
Phyllis going by in her husband's buggy. Edmund, in his tall town hat,
which glittered in the sun, was driving her himself; she sat beside him
under her parasol, calm, matronly, dignified, a model of all propriety.
How would she have looked if she had seen her mother coming out of the
waxworks? It was quite a shock to think of it.
Public-domain text, read in full here on John Shaqi.
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