It would be vain to describe all that passed through the mind of Gerald Grantham, while he thus gazed upon her whose beauty was the rock on which his happiness had been wrecked. His first impulse had been to fly, but the fascination which riveted him to the window deprived him of all power, until eventually, of all the host of feelings that had crowded tumultuously upon his heart, passion alone remained triumphant. Unable longer to control his impatience, he was on the point of quitting his station, for the purpose of knocking and obtaining admission by a door which he saw opposite to him, when a sudden change in the attitude of Matilda arrested the movement. She had risen, and with her long and dark hair floating over her white shoulders, now advanced towards the portrait, on which her gaze had hitherto been so repeatedly turned. This was so placed that Gerald had not previously an opportunity of remarking more than the indistinct outline, which proved it to represent a human figure; but as she for a moment raised the light with one hand, while with the other she covered it with a veil which had been drawn aside, he distinctly saw that it was the portrait of an officer dressed in the American uniform; and it even occurred to him that he had before seen the face, although, in his then excited state he could not recollect where. Even had he been inclined to tax his memory, the effort would have been impracticable, for another direction was now given to his interest. On the left and close under the window, stood a rude sofa and ruder table, the only pieces of furniture which Gerald could observe within the temple. Upon the former Matilda had now reclined herself, and placing the candle upon the table at her side, proceeded to unfold and peruse a letter which she had previously taken from her pocket book. The same unconsciousness of observation inducing the same unstudiedness of action, the whole disposition of the form bore a character of voluptuousness, which the presumed isolation of her who thus exhibited herself, a model of living grace, alone could justify. But although the form was full of the eloquence of passion, one had but to turn to the pale and severe face, to find there was no corresponding expression in the heart. As heretofore, the brow of the American wore a cast of thought--only deeper, more decided--and even while her dark eyes flashed fire, as if in disappointment and anger at sundry passages in the letter over which she lingered, not once did the slightest color tinge her cheek, or the gloom dissipate itself from that cold brow. Emotion she felt, for this her heaving bosom and occasionally compressed lip betokened. Yet never was contrast more marked than that between the person and the face of Matilda Montgomerie, as Gerald Grantham then beheld her.