Matisse Picasso and Gertrude Stein: With Two Shorter StoriesStein, Gertrude
General
Matisse Picasso and Gertrude Stein: With Two Shorter Stories
Stein, Gertrude
Experimental fiction, American
A temper and a sound of explanation, the choosing of accompanying
celebration, all this does even more of a plentiful extreme and yet, why
when the hollow box is open is there more color than the rest of
fighting. There can be no cause, there is no inlay, there are more
places to close and open than there is maintaining a hopping branch. So
seasonably and with so much welcome does disappearance destroy
unexpressed reorganisation. This is not the way to do that. No way is
more clear.
To land a meadow and to scatter after is the morning. To season a liquid
and to fill the cooking is not any time. To scale a measure that has no
preparation is the indication of that.
Portion and dog and not escaping fitting is so increasing. It is perfect
last. So then there is no talk away. All the union is more. All the ten
are meaning.
If the whole show is there where there is glass, if the light is where
there is ground and enough water to keep all feet chilly, if the
disturbance is from laughing, and the welcome is when boards are put up
to finish something then certainly the whole experience is in the haste
and there is no time to use, there is no such order. This does not make
a presence.
So soon to be a sample of more than the tight shoes that show the
movement to be soft, so soon to be sacred in not having sorrow, so soon
to be placed where the race is between horses, all this is so soon if
there was a way to be sooner.
So long to be remaining when salt has no perfume, so long to leave out
what is not more than that matter, so long to have an orange and a nut
more than an abundance of butter, this does not mean that there is not
an origin.
So likely to speak and so soon to declare that a piece has been there
and there has been more hair. So well to endow what has reason to leave
if a fear is the same and the result has no grief. All this makes the
time and the use has that point and the same explanation does not deny
every joint.
Leave the pressing day-time and the pressing night-time leave it all
alone and it does not deny that meaning. It does not.
Limping in song, measuring a mile, seeing the tin and making an evening,
all this is autocracy. A bloom is on a splendid scarcity, it is so
gentle that there is no face.
Patience and to-morrow, a season and all the week, a programme has no
connection with Russia.
Twinkling so that there is gas, budding so that there is hair, blaming
so that there is pleasing, all along the heap of all.
To lie in the cheese, to smile in the butter, to lengthen in the rain,
to sit in the flour all that makes a model stronger, there is no
strangeness where there is more uselul color, a description has not
every mission.
Leaning together and destroying a principle preciousness which is not
mangled, this is so loaned that there is no habit, not at all and yet
there is the late way, there is an instance of more.
Public-domain text, read in full here on John Shaqi.
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