Matisse Picasso and Gertrude Stein: With Two Shorter StoriesStein, Gertrude
General
Matisse Picasso and Gertrude Stein: With Two Shorter Stories
Stein, Gertrude
Experimental fiction, American
True divorce means more than every occasion, a true divorce is a bend in
a branching, it is the obliteration of a case of congestion. True
divorce is an argument and a return, it is the same price as an
augmentation.
Once when there was a marked heel there was a time to separate together.
Once there was another time practiced. That lead more than habit. That
made one young man younger. All the time to stand and play meant that
the same suit was used. It was not permission.
A kindness and no hard hat, a center-piece and no new muff all this made
advice pleasant, it changed every hair, it was not duller. And yet that
energy was the same as the whole use of a portfolio and there never was
sickness and there never will be a necessity. All the winter months have
some of the sardines in summer. They make what does not do for skating.
They make a complaint and all four are not precise in saying nothing.
They disturb the bank and the blessing. There is no bleeding.
So then the change was spread and there was no sofa and there was no
pudding. Coloring was disappearing. There was no repetition.
As soon as grammar shows a sympathetic fraction then the time to elope
is the same as richness. Any letter shows that. A mingling of not
drinking is sweeter. There is no dust. There was a time when all the
teeth that were were so expressed that some effect was bitten and yet
morally, and morally is not a repetition, and yet morally the synonym is
not so excessive. A plunge is not more hardy than an allusion to
something. Photography is not agonising. It is a change in deportment.
It is accustomed to acceptation. It is not convenient in embroidery.
A blind page is one with edges and mingling, this makes it show when
there is opposition, this makes it show a sheet. And yet a plaything is
honorable and an extravagant silence is well spent and surely if the
temper show that then being happy is everything. Resembling is not a
suspicion. It is autocratic. There is no rebuke. A fence is not
furnished. No mind is matter. This is so little that there is no minor
mirror. All the tickling is tender.
There is no more use in the time of day than there is place for a water
pressure, not a bit and certainly the whole piece is industrious, it has
that sparkle. All the same the curiosity is that when there is all of
that the change is monotonous, it means union, it means the baking of
any piece of apple and pear and potato it means more than that. Kind
light is any light and the whole place is lighter. This means that if
there is an approach there is the use of the sprinkle and sprinkling is
so well when it is particular and playing.
To receive that and to cherish the remainder thoughtfully is so much
underdone that there is no kind of article. And yet there is a choice
and there is no refusal. This does not mean that the sigh is
intentional.
Public-domain text, read in full here on John Shaqi.
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