Matisse Picasso and Gertrude Stein: With Two Shorter StoriesStein, Gertrude
General
Matisse Picasso and Gertrude Stein: With Two Shorter Stories
Stein, Gertrude
Experimental fiction, American
Saving money, saving if from an occasion and saving it when there is a
change of hymning, changing the whole escape that is not a rhapsody, it
is the place of thunder. The sale and the water, the whole hating of
argument and agreement these are not changing with winter, winter does
not need rain, it does not need any day, it needs tunneling. All the
same there is a difference. There cannot help being a difference and in
any case there is no shame, there is no authority, there is no habit,
there is nothing, that is to say that is not the way they are feeling
about it. Not at all. What they are feeling is this. They are feeling
that the time is there where it was and that not being so they are
certainly sure that the obligation is not pressing. That is what they
are feeling and in any case there is no hesitation. Hesitation does not
take time, why should they take time, they do not use that argument,
they are not so to speak exchanged.
Very well, supposing that the time which is spent is so spent that there
is memory, suppose this, cause no gloom and have success, what does that
mean, that means nothing. To mean that there must be some authority and
what does authority mean, authority means no more yellow color as yellow
is the color that is chosen and no slight is necessary. If no slight is
necessary then there is a center piece. All the kindness shows, what
does it not show, what single separation is there in two decorating an
original explanation, there is no use in tears, there is no use and
there is no sobbing. Silence has the pleasure of an interval and the
cross means separation. Supposing there was a cross, supposing that when
the moment came there was crossing, supposing all that would there be
any use in recognition. Would there. There is no doubt that the result
in not pleasing and there is no doubt that there is no desertion. There
is no pliability in a curtain, it does not show more night than it has.
All the same there is the place to join three together. To deny that is
to displace the whole example which is the part article. Managing it all
shows the connection, it shows nothing in the place of certainly. Grief
is not agitation.
Showing it that there are no spreads which are changed, showing it so
shows the choice, it shows the sagacity. There is no look.
A cake, a cake which is not the size mentioned has a button in it and
this button is the very button that is in the lobster, the meaning of
this is seen in metal, for instance, supposing a class which makes a
necktie changes color, supposing it does that give everybody joy, it
does. At the same time the predicament is in the middle and it being in
the middle and there being a regular circumference the finest
estrangement comes from intermittance.
Public-domain text, read in full here on John Shaqi.
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