Matisse Picasso and Gertrude Stein: With Two Shorter StoriesStein, Gertrude
General
Matisse Picasso and Gertrude Stein: With Two Shorter Stories
Stein, Gertrude
Experimental fiction, American
To show a variation there is no place so recent that there is not a
crack and a selection. To be violent is not so necessary but that if
there have been witnesses there is blossoming. So much courage, so much
magnitude, so much sorrow, so much exchange, so many mingled
interstices and so many meadows why is the exchange perfect, it is so
disorganised.
The credit that comes from interregulation and motionless maritime
industry shows no sign of diminishing when there is a call for mountains
and character.
The special relation of more to most and gradually to reincarnation, the
special relation of the mingling to effervescing and the resolution to
intervention, the very especial relation of observation to analysis and
the joint to a foot all this is so critical that there cannot be an
occasion.
What is struggling, it is a recognition of a surface that has so many
additions that there is use in a climax. This does not mean steadying
and despair, it means no more than the tiniest the very tiniest example
of a blot and a simple exercise in righteousness and no excuse.
The season which is free and the season which is the same is so firm, is
so particular, it is so begun that necessarily there are circumstances.
What is a word that says resemblance. The word is so seen that there is
nation and a nation and nations and in nations. The sight of all of it
is not a circus it is not even a parting, it is more than that, it is
all.
So the inclination scatters and the regret paces and the stirring
cinders stick where they are. And the little tag is empty and the larger
couch is simple and a discharge, every discharge is within matter.
Compliance, what is compliance, it is authority and retort and a medium
declaration of fitness and agility and solemn use of patience. All this
does not disease a stomach or distress a vaccination, it does not even
halt admiringly.
The time was splendid, any single nation was not of a speed that showed
slackening and regular expulsion. More of it was renounced and a slave a
real slave is somnolent, a real slave rests in potatos and anything
onion.
A shadow, a living shadow is in quantity and design and distribution. A
regretted shadow is in organisation and distribution and retribution.
Any shadow is famous and any face is soon painting. Any heroism is hard
limited and any line is fabulous, and the church any church is taken
when there are windows and a winter waiting, any likelihood shows that
red.
A lake, springing into a waggon and having wheels totter and having all
the water suffer, this is obliging.
Fancy a cylinder, fancy it in a letter, does that show slouching.
Sweep and settle, circulate and rejoice, reject a morsel and suffer
suffer lightly and in a measure.
Search a hindrance, see obligations resemble china, see no more tunes
and no more harshness and hardly any virgin.
Public-domain text, read in full here on John Shaqi.
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