Matisse Picasso and Gertrude Stein: With Two Shorter StoriesStein, Gertrude
General
Matisse Picasso and Gertrude Stein: With Two Shorter Stories
Stein, Gertrude
Experimental fiction, American
All the choice of cold and curls, all the choice, all the animal which
is the same as a tick, all the animal which is the same as a Hindoo, all
the animal which is breakfast and really breakfast, entirely breakfast.
All the animal which is oak walnut, oak shrub trees, oak butter. All the
animal which is vines and arches all arches, all dark red trees, all wet
white trees, all white green trees.
All the animal is silent in left over bundles, in the box of bundles, in
the ride on returned bundles. All the animal is in the bath dish, in
the stop watch in the left leg.
All the animal is in the way, in the way, and in that way. All the
animal is in that way, in the way, and in that way, the way.
All the back is in that harness, entirely surprised, not more sunburned.
It is not in the poison oak, not in that more rested entirely.
A loud man eater, a loud lonely decay, more sponges and more excellent
angels and extreme inhalations and reasoning, inclining reason.
Lay the most perfect sweetness and separation and appetite and leaking
grass and fading, simple ecstatic fading. Lay the first winter and any
summer and more wishes all separately in together. Make the pet a whole
pet. Make the powder wall full of turning. Make the exception unanimous
and under thrown. The worry of sea bathing is enormous.
A bother that comes yesterday and shows no cake does not show midnight
or noon. It which is silent is not so seldom a poised vessel and a luck
finder and certainly is not any savage in cake. Not at all.
A crowd all the exchange that social excuse and sweet singing in a noisy
street can mean to a tune is necessary when there is no talk. It is
necessary.
Cups, when are cups splendid, they are splendid in chunks and in pieces
and in places. They are splendid by the short way there is more
collection. They are always splendid entirely.
A more sullen supper and eating is entirely repeated. It is entirely in
a show and even in a whisper in any loud whisper softer. A survey is so
weak and more checkers any more checkers are solemn and loud and wild
waveringly wet. All the best is in times and much suddenly secreted is
so hurried, so very hurried finely.
A very fine handsome and not more elegant than wistful certainty is so
included.
Work in the late sad sweetening red ferns and lift the bell so that
there is no closet, search and shake the best example and never shudder
in the cuddling water. See the silence rest in black and suffer all the
spoons to wander, allow the more to see it with the glass and bestow
more actual prunes than stay together.
Do not act more in the marguerite and shine with the best eddying work
table set easily on a table. Rattle and strain and shove a calendar and
more much more is the same reason and mightily in time, mightily in
time.
Public-domain text, read in full here on John Shaqi.
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