Matisse Picasso and Gertrude Stein: With Two Shorter StoriesStein, Gertrude
General
Matisse Picasso and Gertrude Stein: With Two Shorter Stories
Stein, Gertrude
Experimental fiction, American
It was a likely day to hear the music play the day when the little one
was not any larger. She did decide the very wide street to avoid and she
did not say how prettily they play. She did not hesitate any. She was
not the tallest who sat there. She was the distinct expression of the
only decision. She was the leader of the exercise that expressed that
the way to do is not the only way to stay. She was remarkable.
How sweetly the tune that is written is saying that obeying is meaning
that apologising is not beautifying. How sweetly the tune that is
winning is expressing that regretting is not necessitating repetition.
How nicely there is agreeing when leaning is not forbidden. How sweetly
is repeating expressing that feeling is pleasing. How tenderly is the
expression expressing that all of it is saluting the whole of that which
is the same as that which is what is when changing is not dividing. It
is nicely done.
Not to ask the way when there is nothing else to say is the only way to
stay away. A longer one is not shorter. He can have a beard.
A lovely decision is the marvelous hope when the refusal is sullen and
the fire is going, a better piece of light is going when there has been
admiration for a piece that has been showing. Then turning away is the
way to give all the rest of the description of the reason that the whole
piece is together and has that meaning. I did not like her. She was not
unpleasant. She was not the only one to say that she did not know that I
did that. It was not a reputation. She was not antagonistic.
If there is no time to have the predestination, there can be half of all
that there is when there is all they have. They like living. They say
they are not hot. They say that the way to smell is to have the same
thing stay that is touched when touching is not diminishing. They need
the bath-room. They are not healthy. They have light and heat.
A remarkable exhibition was the one that showed that an aptitude for
delineation is the same as adjustment. It was admitted that having
explained that there would be undertaken a readjustment. The end was
outlined. The completion was distinguished. The relative actuality was
not detailed. There was precedence. There was not lingering. There was
the article that was not destroying. There was that meaning. There was
the description. These did have what there was no need to occupy. There
came to be that.
If the potatoe was there and the light were bright then it would be
sweet to be clean and to have the same seat. It is always necessary to
carry the same piece of bread and butter. It is nicely brown and yellow
and prettily sticking together that with what it is when it is where it
is and it is where it is as it is only where it is. It is the particular
attraction by which it is the piece that is eating and being eaten. It
is mentionable. It is not deceptive. It is the practice of everything.
It is what is necessary.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account