Matisse Picasso and Gertrude Stein: With Two Shorter StoriesStein, Gertrude
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Matisse Picasso and Gertrude Stein: With Two Shorter Stories
Stein, Gertrude
Experimental fiction, American
A lovely love is sitting and she sits there now she is in bed, she is in
bed. A lovely love is cleaner when she is so clean, she is so clean, she
is all mine. A ovely love does not use any way to say all day she is to
say that all the day is all there is to say. A lovely love is something
and there is no hand-writing, it is that there is no printing. A lovely
love is there to be the rest of all there is to put into that which is
what there is there.
When there is no astonishment there is that happening. To choose looking
at the appetising ending is not a sign of predisposition. It does not
defy accomplishment. It lingers there.
Not to rub away is to let it stay and surely that is neat and sweet. The
two which makes enough is what is that and the question is that it comes
in the morning.
A little expression of marrying means that and it succeeds in saluting.
This means something.
Why does that the one being there see that see that reflection, why,
because there is no separation and there is no talking when the time has
come for all more and there is that result of definite cooking which is
not to be forgotten while eating is that necessity in establishing not
drinking.
The celebration of the evening is not in settling an extraction that
will come out after walking. That is that necessity and using that is
the best proof. There is none.
Carpet sweeping is so timely and a comb would be useful if there was
poverty.
If the wading is so sweet and there is day-light then the time which
turned black grey and the earrings longer were the months that had that
time. All the pepper which has a color is the color that is so
articulate. There is the increase of more.
Astonishing is when there is no ring. Not astonishing this which is no
adaptation. All the color that is there shows that the company is
smaller. They see that and they put in some salt and some butter. This
is not to cause a quarrel. This is not to keep eating away.
Tail pieces and a doll, a covering that is blue and white, a cup and not
a mixture in it, darkness and sympathy, this does not mean that some one
has been afraid to stay away.
If the road-bed has no saw-dust and the water has no flour, if the money
has no butter and the conversation is successful then in some way we
will have a room and a bath and more. That is the way.
Please the spoons, the ones that are silver and have sugar and do not
make mischief later, do not ever say more than listening can explain.
Winter and the wet is on the apple, that means more handkerchief of any
color, the size is the same when the pillow is little. That is the way
to be conscious. A perfume is not neater.
Public-domain text, read in full here on John Shaqi.
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