Matisse Picasso and Gertrude Stein: With Two Shorter StoriesStein, Gertrude
General
Matisse Picasso and Gertrude Stein: With Two Shorter Stories
Stein, Gertrude
Experimental fiction, American
A line is the presence of a particular sugar that is not sugary but
splendid and so bland, so little and so rich, so learned and so
particular, so perfectly sanguine and so reared.
To indicate more wall flowers than there is paper, to indicate more
houses than there are houses, to indicate nothing more is not an urgent
and particular privilege, it is selected and if it is not wanted is
there any reason for losing anything. There is what there is by the
raking of the felt hats.
Does anybody think so, does anybody think so. Does anybody think so in
the future. Does anybody think so. Does anybody think so.
Does anybody think that the turn and the break and the lavender and the
currants and the hot cocoanut altogether is a wonderful mixture. Does
anybody think so.
Tune, a tune is in the hurt way there is no mountain. There comes to be,
there comes to be, there is an exchange of that taste. Sweetness is no
reason. Results are strained.
If a length and it is there is not covered by where there is a section
then is there no use in a foot. There is, there is.
An addition, suppose it is more on the beach is that the time to reach
more and is there any more likely. If there is there is no can late.
A real red intoxication and no perspiring blaze not even a silk hat, is
there no stranger showing, is there not a selection. The pleasantest
elegance is in a collar, it is and there is the red exactness that shows
color and no such light.
Which is in the dish there is yellow and the white and all the sleep,
all the variegation lying makes the best as in the grate. Sound the
goose and if in shining ees are all the wealth between, if there is a
right and roaming, if the left has all that team, if it has and roaming
roaming lectures all that and makes mines, why is silentsses inner when
there is the seldom roar. All the use is humorous.
A bird is birdie. A little bird and a little blight and a little balance
to a best button. A little bright bitten bucking anything.
Cunning to eat, circular to baste, splendid to chew, solemn to drink,
surprising to assemble and more opportunely.
Bud what is a bud, a bud is not busted. What is a bud. A bud is a
sample. A bud is not that piece of room and more, a bud is ancient.
Class a plain white suit as a fairy turtle, class an amazing black cup
as an hour glass, class a single relief as a nut cracker, show the best
table as a piece of statuary.
Suppose it did, suppose it did with a sheet and a shadow and a silver
set of water, suppose it did.
Beef yet, beef and beef and beef. Beef yet, beef yet.
Water crowd and sugar paint, water and the paint.
Wet weather, wet pen, a black old tiger skin, a shut in shout and a
negro coin and the best behind and the sun to shine.
A whole cow and a little piece of cheese, a whole cow openly.
A cousin to a cow, a real cow has wheels, it has turns it has eruptions,
it has the place to sit.
A wedding glance is satisfactory. Was the little thing a goat.
A, open, Open.
Public-domain text, read in full here on John Shaqi.
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