Arnold, Matthew, 1822-1888; Critics -- Great Britain -- Biography; Poets, English -- 19th century -- Biography
Well, but, it may be urged, Elsmere is after all only a fictitious
character, taken from a novel purporting, as Bishop Creighton said, to
describe a man who once was a Christian and ceased to be one, but really
describing a man who never was a Christian, and eventually found it out.
This, of course, is true, but it must be presumed that the Reverend
Robert is not absolutely the creature of a vivid imagination, but stands
for some real men and women who, in actual life, came under the
author's observation. If that be so, we must admit that Arnold's dogma
about Miracles had a practical effect upon certain minds. An Elsmere of
a different type--a flippant Elsmere, if such a portent could be
conceived--might have answered that, if miracles happened, they would
not be miracles; in other words, that events of frequent occurrence are
not called miracles; and that it belongs to the idea of a miracle that
it is a special and signal suspension of the Divine Law, for a great
purpose and a great occasion. If, again, Robert, eschewing flippancy,
had retired on abstract theory, he might have said that an event so
unique and so transcendent as the assumption of human nature by Eternal
God seems to demand, in the fitness of things, a method of entry into
the material world, and a method of departure from it, wholly and
strikingly dissimilar to the established order--in common parlance,
miraculous. Answers conceived in these two senses--some rough and
popular and declamatory, some learned and argumentative and
scientific--appeared in great numbers. "Grave objections are alleged
against the book.... Its conclusions about the meaning of the term
_God_, and about man's knowledge of God, are severely condemned; strong
objections are taken to our view of the Bible-documents in general, to
our account of the Canon of the Gospels, to our estimate of the Fourth
Gospel." To these criticisms Arnold might have added one yet more
cogent. It was felt by many of his readers, and even by some of his most
attached disciples, that the "sinuous, easy, unpolemical method" which
he vaunted, and which he applied so happily to criticism of books and
life, was not grave enough, or cogent enough, when applied to the
criticism of Religion. From first to last his method was arbitrary.
[Greek: Hantos hepha]--the Master said it. This was excellent when he
criticised literature. To say that a verse of Macaulay's was painful, or
a line of Francis Newman's hideous, was well within his province. To say
that one author wrote in the Grand Style and that another showed the
Note of Provinciality--that also was his right. To pronounce that a
passage from Sophocles was religious poetry of the highest and most
edifying type,[51] whereas the Eternal Power was displeased by "such
doggerel hymns as
_Sing Glory, Glory, Glory, to the Great God Triune,_"
Public-domain text, read in full here on John Shaqi.
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