Arnold, Matthew, 1822-1888; Critics -- Great Britain -- Biography; Poets, English -- 19th century -- Biography
It is interesting to recall that Charles Kingsley praised _Culture and
Anarchy_ in a letter which greatly pleased Arnold, as showing "the
generous and affectionate side" of Kingsley's disposition. And this is
his answer to Kingsley's praise: "Of my reception by the general public
I have, perhaps, no cause to boast; but from the men who lead in
literature, from men like you, I have met with nothing but kindness and
generosity. The being thrown so much for the last twenty years with
Dissenters, and the observing their great strength and their great
impenetrability--how they seemed to think that in their 'gospel'--a mere
caricature, in truth, of the real Gospel--they had a secret which
enabled them to judge all literature and all art and to keep aloof from
modern ideas--set me on thinking how they might be got at, and on the
use of this parallel of Hebraism and Hellenism. If I was to think only
of the Dissenters, or if I were in your position, I should press
incessantly for more Hellenism; but, as it is, seeing the tendency of
our _young_ poetical litterateur (Swinburne), and, on the other hand,
seeing much of Huxley (whom I thoroughly liked and admire, but find very
disposed to be tyrannical and unjust), I lean towards Hebraism, and try
to prevent the balance from on this side flying up out of sight." Dean
Church, also, in writing about the book, expressed "his sense of the
importance of the distinction between Hellenism and Hebraism." "This,"
said Arnold, "showed his width of mind"; for "it is a distinction on
which more and more will turn, and on dealing wisely with it everything
depends."
I have dwelt at this rather disproportionate length on the structure and
teaching of _Culture and Anarchy_, partly because it was to men who were
young in 1869 a landmark in their mental life, and partly because it
gives the whole body of Arnold's political and social teaching. He
pursued this line of thought for twenty years; _Friendship's Garland_,
with its inimitable fun, appeared in 1871, and was followed by a long
series of essays and lectures; but the germ of whatever he subsequently
wrote is to be found in _Culture and Anarchy_. And from that memorable
book what did we learn?
Public-domain text, read in full here on John Shaqi.
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