Matthew Calbraith Perry: A Typical American Naval OfficerGriffis, William Elliot
History
Matthew Calbraith Perry: A Typical American Naval Officer
Griffis, William Elliot
Perry, Matthew Calbraith, 1794-1858
The Japanese were regaled with viands that were master-pieces of
American cookery. To the intense amusement of the “children of the
gods,” the lords of the kitchen were kurumbō (blacks), a color and a
creature such they had seen only in their own theatres when
candle-holders with lamp-blacked faces illuminated the facial
performances of actors. Save the dignified professor, Hayashi, they
became over-flowingly merry over champagne and the national mixed drinks
of the Great Republic. They learned the mysteries of mint-juleps and
brandy-smashes. They lost their center of gravity over puddings and
potations, and then laughed themselves sober at the sailors’ exhibition
of negro minstrelsy. They were shown the discipline and drill of the
ships, and the evolution of the marines. They were delighted with
presents which revealed the secrets of the foreigners’ power. Rifles and
gunpowder, the electric telegraph, the steam locomotive and train,
life-boats, stoves, clocks, sewing-machines, agricultural implements and
machinery, standard scales, weights, measures, maps and charts, the
works of Audubon and other American authors were presented, most
improperly labeled or engraved “To the Emperor of Japan.” The Mikado,
Japan’s only emperor, never saw them, though the writer did in the
storerooms of the exiled Tycoon at Shidzŭoka in 1872. The American may
proudly note how very large a share his countrymen have had in
inventions and in applications of the great natural forces that have
revolutionized modern society. That one mile of telegraph wire has now
become thousands; and that tiny railway, with toy locomotive and one car
able to hold only a child, was the germ of the railway system in the
Mikado’s empire. Historic truth compels us to add that among the
presents there were one hundred barrels of whiskey, a good supply of
cherry cordial, and champagne. Thus did the new civilization with its
good and evil confront the old. New Japan was to be born in the age of
steam, electricity, the photograph, the newspaper and the
printing-press; yet in the train of the culture of the West was to
follow its curses and enemies. With the sons of God came Satan also.
In return, the Japanese presented the delicate specialties of the
artisans of their country, in bronze, lacquer, porcelain, bamboo, ivory,
silk and paper; with coins, match-locks and swords, which now rest in
the Smithsonian Institute. For the squadron, one hundred kokŭ (five
hundred bushels) of rice and three hundred chickens were provided. They
entertained their guests with wrestling matches between the prize bipeds
whose diet includes the entire fauna of Japan. Strangely enough, they
did not play _dakiu_ or polo, their national game on horseback, in which
so many of their riders excel. All the presents were duly wrapped in
paper, with a symbolic folded paper and dried fish skin.
Public-domain text, read in full here on John Shaqi.
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