Mattie:—A Stray (Vol 1 of 3)Robinson, F. W. (Frederick William)
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Mattie:—A Stray (Vol 1 of 3)
Robinson, F. W. (Frederick William)
English fiction -- 19th century
After that there settled on her face a confused expression, often a sad,
always a thoughtful one, with a long look ahead, as it were from the
depths of her blue eyes. From that night there was a change in her;
Mattie, quick of observation, was the first to detect it. It was a face
of trouble, and Mattie, seeing it now and then, could note the shadows
deepen. Sidney observed it next, detected with a lover's jealous
scrutiny a difference in her manner towards him, a something new which
was colder and less friendly, and yet not demonstrative enough for him
to murmur against, even if his half engagement had permitted him.
He asked her once if he had offended her, and she replied in the
negative, and was kinder towards him for that night; but the reserve,
indifference, coldness, or whatever it was, came back, and perplexed
Sidney Hinchford more than he cared to own. The year of his novitiate
was approaching to an end, and he thought that he could afford to wait
till then; she was not tiring of him and his attentions, he had too good
an opinion of himself to believe that; at times he solaced himself with
the idea that she was reflecting on the gravity of the next step, that
formal engagement to be married in the future to him.
Mattie and Sidney were both observers of some power, for after all they
saw through the bright side--the forced side--of her. For the father and
mother was reserved Harriet Wesden with her mask off.
Fathers and mothers are strangely blind to the causes of their
daughters' ailments--this humble pair formed no exception to the rule.
They were perplexed with her fits of brooding, her forced efforts to
rally when taxed with them, her pallor, loss of appetite, red eyes and
restless looks in the morning. Mr. Wesden, a suspicious man to the world
in general, was the most trustful and simple as regarded his daughter;
he did not know the depth of his love for her until she began to look
ill, and then he almost worried her into a real illness by his
suggestions and anxiety.
Mr. and Mrs. Wesden had many secret confabulations concerning the change
in Harriet; pottering over a hundred fusty ideas, with never a thought
as to the true one.
Was Camberwell disagreeing with her?--was the house damp, or her room
badly situated?--had not the dear girl change enough, society
enough?--what _was_ the matter? Mr. Wesden set it down for "a low
way"--an unaccountable complaint from which people suffer at times, and
for which change of scene is good.
So he set to work studying the matter, originating small excursions for
the day, submitting her to the healthy excitement of the winter course
of lectures at the infant schools in the vicinity--lectures on
artificial memory, on hydrostatics with experiments, on the poets with
experiments also, and unaccountable ones they were--even once ventured
into a box of the Surrey Theatre, and began to flatter himself and wife
that at last Harriet was rapidly improving.
Public-domain text, read in full here on John Shaqi.
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