It was on the tip of my tongue to reply, "my interest is solely in old
Juan and his daughter." But I didn't. It didn't seem quite fair, and
wasn't strictly true.
"Good-night," I said, withdrawing, "I'm glad she's all right."
From his closing door his words floated back to me,
"_Buenas noches, cara mia!_"
Annunciata recovered, and to Sarah's outspoken disapproval I had her
come often to the house. She sewed excellently, and embroidered even
better, and I was glad to be able to give her small odds and ends of
work to do. She was a lovely thing: rounded, and supple, with a clear,
creamy-brown skin. But chancing one day to observe her mother on the
road below the house I was smitten with a prophetic horror for
Annunciata's future. For the woman, who could not have been more than
thirty-five was as bent and gnarled as a Northerner of sixty, wrinkled
like a monkey and with something of that creature's patient, if
malicious wisdom in her eyes. I began to realize that Juan, too was
according to our standards a man still in his early prime. I was
confused by such an ordering of Nature. I said something of this to
Bill but he only answered, knocking the ashes from his pipe.
"Southern fruit ripens quickly."
"It doesn't seem fair," I said, rebelliously, thinking of Annunciata
and her slow, indolent grace. At sixteen I--but perhaps I was not a
good example.
"Our girls are children at sixteen," I told him.
"You are a child at--what is it--twenty-two," he answered.
I did not pursue the personal application further. But it was not
right that this young thing should be a woman so soon, and so shortly
destined to be old. Youth--and Age. There are no timid blossomings, no
gracious gradations in the South.
Public-domain text, read in full here on John Shaqi.
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