This was too much. I turned the conversation in the direction of our
coming dinner party and to a discussion of hibiscus-bloom. But all
through that afternoon through the banter, the sparkling surface talk,
of dinner that night, through the hours before I fell asleep, I was
trying to adjust myself to the fact that it was, after all, Bill who
had written _The Lyric Hour_; who had so beautifully said so many true
and lovely things: who was a very high-hearted poet.
No matter how little of his real self he had shown me in his letters,
regardless of the obvious misfit of his poems and his living
personality, he had written those poems: they were his. And they must
have sprung from some eternal and true fount of beauty in his nature,
or else all books lied and all the poets who ever lived to gladden the
world with their songs were tricksters and jesters, with a command of
rythmical English and no more. I could not believe that. And so, I
must believe that my husband had written truly and sung faithfully,
from his heart. And that is what I could not understand, could not
reconcile with him, himself. He had hurt me, had wounded my pride
beyond endurance: I hated him, I wished myself free of his mere
presence: but I was, in the last analysis, forced to admit his genius,
and forced to acknowledge his power. Richard Warren had never existed,
not the Richard Warren I had built up from a slender volume of verse
and a drawer-full of letters. But William Denton did exist, very
solidly, and for me, distastefully. And William Denton had written
_The Lyric Hour_.
It may not be difficult, given certain conditions, to hate a poet, but
it seemed too bad.
* * * * *
The following night our very informal dinner took place. We had asked
some other people, to make up a party of ten, and so we had quite a
formidable array of "valor and beauty" around the long, refectory
table. Mr. and Mrs. Howells and their daughter, the Chinese Minister
and his wife, Bobby Willard and his sister Ruth, Wright, Bill and
myself, all rather diplomatically placed, made up the group. It was a
rather amusing, and incidentally, an excellent meal. Over the massed
orchids on the table, I could see Wright almost feverishly attentive
alternately, to Ruth Willard in pale-blue on his left, and to
Mercedes, in an amazing frock of black lace, a cluster of orange
flowers at her girdle, seated between him and my husband. At my end of
the table I had Mr. Howells and the courteous gentleman from the
Orient. And Mrs. Howells, at Bill's right, watched indolently her
daughter's radiant progress and applied herself, mutely, to the
business of eating. In consequence, Mercedes, during the greater part
of the meal, drove tandem; and it was really pretty to watch--only, by
the salad course, it had grown monotonous.
Public-domain text, read in full here on John Shaqi.
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