Alert for any sign of retaliation, they watched him take an
insignificant penknife from his pocket and begin to trim the pencil. Was
there in his mind any mad impulse to force conclusions with that puny
weapon? Dompierre worked his face into a fiercer expression and touched
reassuringly the handle of his knife. Montmorency looked on for a
moment, then, whistling softly to himself, turned his back on the table
and strolled towards the window, avoiding Madame Nina's pursuant eye.
Then, with overwhelming suddenness, it came, and in its form altogether
unexpected.
Carrados had been putting the last strokes to the pencil, whittling it
down upon the table. There had been no hasty movement, no violent act to
give them warning; only the little blade had pushed itself nearer and
nearer to the electric light cord lying there ... and suddenly and
instantly the room was plunged into absolute darkness.
"To the door, Dom!" shouted Montmorency in a flash. "I am at the window.
Don't let him pass and we are all right."
"I am here," responded Dompierre from the door.
"He will not attempt to pass," came the quiet voice of Carrados from
across the room. "You are now all exactly where I want you. You are both
covered. If either moves an inch, I fire--and remember that I shoot by
sound, not sight."
"But--but what does it mean?" stammered Montmorency, above the
despairing wail of Madame Dompierre.
"It means that we are now on equal terms--three blind men in a dark
room. The numerical advantage that you possess is counterbalanced by the
fact that you are out of your element--I am in mine."
"Dom," whispered Montmorency across the dark space, "strike a match. I
have none."
"I would not, Dompierre, if I were you," advised Carrados, with a short
laugh. "It might be dangerous." At once his voice seemed to leap into a
passion. "Drop that matchbox," he cried. "You are standing on the brink
of your grave, you fool! Drop it, I say; let me hear it fall."
A breath of thought--almost too short to call a pause--then a little
thud of surrender sounded from the carpet by the door. The two
conspirators seemed to hold their breath.
"That is right." The placid voice once more resumed its sway. "Why
cannot things be agreeable? I hate to have to shout, but you seem far
from grasping the situation yet. Remember that I do not take the
slightest risk. Also please remember, Mr Montmorency, that the action
even of a hair-trigger automatic scrapes slightly as it comes up. I
remind you of that for your own good, because if you are so ill-advised
as to think of trying to pot me in the dark, that noise gives me a fifth
of a second start of you. Do you by any chance know Zinghi's in Mercer
Street?"
"The shooting gallery?" asked Mr Montmorency a little sulkily.
Public-domain text, read in full here on John Shaqi.
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