"Eighteen months ago 'Harry the Actor' successfully looted the office
safe of M'Kenkie, J. F. Higgs & Co.; of Cleveland, Ohio. He had just
married a smart but very facile third-rate vaudeville actress--English
by origin--and wanted money for the honeymoon. He got about five hundred
pounds, and with that they came to Europe and stayed in London for some
months. That period is marked by the Congreave Square post office
burglary, you may remember. While studying such of the British
institutions as most appealed to him, the 'Actor's' attention became
fixed on this safe-deposit. Possibly the implied challenge contained in
its telegraphic address grew on him until it became a point of
professional honour with him to despoil it; at all events he was
presumedly attracted by an undertaking that promised not only glory but
very solid profit. The first part of the plot was, to the most skilful
criminal 'impersonator' in the States, mere skittles. Spreading over
those months he appeared at 'The Safe' in twelve different characters
and rented twelve safes of different sizes. At the same time he made a
thorough study of the methods of the place. As soon as possible he got
the keys back again into legitimate use, having made duplicates for his
own private ends, of course. Five he seems to have returned during his
first stay; one was received later, with profuse apologies, by
registered post; one was returned through a leading Berlin bank. Six
months ago he made a flying visit here, purely to work off two more. One
he kept from first to last, and the remaining couple he got in at the
beginning of his second long residence here, three or four months ago.
"This brings us to the serious part of the cool enterprise. He had funds
from the Atlantic and South-Central Mail-car coup when he arrived here
last April. He appears to have set up three establishments; a home, in
the guise of an elderly scholar with a young wife, which, of course, was
next door to our friend the manager; an observation point, over which he
plastered the inscription 'Rub in Rubbo for Everything' as a reason for
being; and, somewhere else, a dressing-room with essential conditions of
two doors into different streets.
"About six weeks ago he entered the last stage. Mrs Harry, with quite
ridiculous ease, got photographs of the necessary page or two of the
record-book. I don't doubt that for weeks before then everyone who
entered the place had been observed, but the photographs linked them up
with the actual men into whose hands the 'Actor's' old keys had
passed--gave their names and addresses, the numbers of their safes,
their passwords and signatures. The rest was easy."
"Yes, by Jupiter; mere play for a man like that," agreed Mr Carlyle,
with professional admiration. "He could contrive a dozen different
occasions for studying the voice and manner and appearance of his
victims. How much has he cleared?"
Public-domain text, read in full here on John Shaqi.
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