Maximilian in Mexico: A Woman's Reminiscences of the French Intervention 1862-1867Stevenson, Sara Yorke
History
Maximilian in Mexico: A Woman's Reminiscences of the French Intervention 1862-1867
Stevenson, Sara Yorke
Maximilian, Emperor of Mexico, 1832-1867; Mexico -- History -- European intervention, 1861-1867
Notwithstanding the seething forces underlying the brilliant surface and
threatening the empire's very existence, the summer of 1867, as
superficially seen in Paris, must be regarded as the very apex of
Napoleon's career.
The exposition was the last and most gorgeous set piece of the many
Napoleonic fireworks, the splendor of which flashed through history, and
ended in the dark smoke of Sedan.
The performance at the Tuileries was one of the most select
entertainments arranged at this time. The troupe of aristocratic
comedians was greeted with enthusiastic applause, and the popular author
received an ovation from his audience of monarchs and princes such as
fate never bestowed upon Beaumarchais, Marivaux, or even Moliere!
All aglow with the excitement of his social achievements, the Marquis de
Massa came to Mexico in 1866 and immediately took his place in the
military household of the commander-in-chief.
As soon as he felt sufficiently posted as to the local conditions of
Mexico, he went to work, and the result was a vaudeville entitled
"Messieurs les Voyageurs pour Mexico, en Voiture!"
The marshal's household supplied the principal stars of the improvised
dramatic company, the leader of the orchestra, a young Belgian officer,
and the prima donna, an "American girl from Paris," as the Mexican
papers had it, being brought in only as necessary adjuncts. Another
important female part was taken by Albert Bazaine, who was turned into a
superb soubrette.
The play was little more than a skit, and the plot--if the thin, sketchy
incident that stood in its place may be called one--served only as an
excuse for a continuous fusillade of local hits, often of a personal
character. These not only kept the audience in a fever of merriment, but
long afterward furnished Mexican official and social circles with topics
for more or less friendly discussion. Some ill feeling and not a few
unpleasant comments were, of course, the result of the little venture;
and most of those concerned paid for their fun in some way or other.
The performance took place at San Cosme, at the house of the Vicomtesse
de Noue. Maximilian, whose curiosity had been aroused, expressed a
desire to have it repeated at the imperial palace; but having heard of
certain unmerciful sallies made upon his financial decrees and other
measures of his government, he did not attempt to disguise his
displeasure. Of course the performance was not repeated.
Public-domain text, read in full here on John Shaqi.
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