* He was promoted to the rank of captain before the return of the French army, and commanded a contre-guerilla known as the "Free Company of Mexican partizans" (see D'Hericault, loc. cit., p. 79), which did brave work in the state of Michoacan against the bands of General Regules and others, and later in the neighborhood of Mexico, without ever exciting the bitter hatred which the contreguerilla of Colonel Dupin, holding the state of Vera Cruz, drew upon itself. (See "Queretaro," by Haus, p. 56.) The position of these gentlemen in a capital where the army was, so to speak, under arms, and where no civilian's dress, therefore, was allowed to a soldier, was ambiguous and gave rise to amusing anomalies. For instance, they, of course, could not be admitted to official balls or entertainments where uniforms were de rigueur, as only officers were invited. They paid calls, however, and thus mixed on neutral ground with their officers; and so these nondescript military larvae managed to enjoy life until the day came when they might become official butterflies. As for the Marquis de Massa, the day had long gone by when, driving in his own trap to the gate of the Paris barracks after a night spent out on leave through the leniency of General Floury, he set to work to curry his own horse. His keen wit and happy repartee, his good-humored sarcasm, and, above all, the magnetism of a personality that scorned deceit and gave itself for no better or worse than it was, combined to make him a favorite among the devotees of pleasure whom Napoleon III and Empress Eugenie had gathered about them; and notwithstanding his empty pockets, his roofless chateau in Auvergne, and his sparsely braided sleeve, he was an habitue of the Austrian embassy and of the best salons in Paris, and made for himself a conspicuous place in the innermost circle of the court of Compiegne and the Tuileries. He had written a number of light plays for the amateur stage of Parisian society, and his dramatic efforts had been interpreted by players whose high-sounding names might be found on pages of history. His first attempt was the "Cascades de Mouchy," on December 9, 1863. The representation was given at the Chateau de Mouchy, to which "all Paris" traveled for the purpose. In the words of the "Figaro": "It was a complete mobilization of Parisian society." The Duc de Mouchy, a man of the old nobility, had recently married Princess Anna Murat; and the actors as well as the audience represented the wit, talent, wealth, and power of the Second Empire.